Directed with intelligence, and a clear passion from Matthew Holmquist and with writing that balances a particular brand of Cardiff humour with universal themes and important questions, Cardiff Boy is an engaging yet emotional piece of work that is beautifully created and performed.
The moment Company opened younger audiences who had never seen it before similarly lamented that it could ever have been done with a man. ‘But it’s a woman’s story’. And for 2018 it is. It could only be.
Allan Neve’s play is an exploration of a father-daughter life over the decades. Starting when daughter Lucy (Georgia Theodoulou) comes home to look after her father Charlie (Keiron Self), a series of intertwined monologues tell their story of past and present.
This reading of The Destiny of Me was a rare (especially for a Brit) opportunity to see this rarely performed play. The fact Kramer has done re-writes gives me hope there will be a production somewhere, sometime in the future.