Discover what critics have made of Lyndsey Turner’s production of Arthur Miller’s play The Crucible, officially open at the National Theatre’s Olivier space.
Mates blogger: Emma Clarendon
Emma Clarendon is one of over 45 theatre bloggers who are part of the MyTheatreMates collective. This page features Emma's posts on MyTheatreMates. Take a look at our full list of theatre bloggers and our aggregated feed of all our Mates' posts. We’re always looking for new theatre bloggers. Could that be you? Learn about how to join us.
Emma Clarendon studied drama through A-Level before deciding she was much better suited to writing about theatre than appearing onstage. She’s written for a number of online publications ever since, including The News Hub and Art Info. Emma set up her own blog, Love London Love Culture, in April 2015 and tweets at LoveLDNLoveCul.
The latest from Emma on MyTheatreMates
REVIEW ROUND-UP: The Wonderful World of Dissocia at Theatre Royal Stratford East
Love London Love Culture’s Emma Clarendon takes a closer look at what critics have been saying about Emma Baggott’s production of Anthony Neilson’s play The Wonderful World of Dissocia at Theatre Royal Stratford East.
REVIEW ROUND-UP: Handbagged at the Kiln Theatre
Love London Love Culture’s Emma Clarendon discovers what critics have had to say about the revival of Moira Buffini’s political comedy Handbagged now playing at the Kiln Theatre.
REVIEW ROUND-UP: I, Joan at Shakespeare’s Globe
Love London Love Culture’s Emma Clarendon takes a look at what critics have had to say about Ilinca Radulian’s production at the Shakespeare’s Globe.
‘This is a show that brings pure post-pandemic joy’: Arlene Phillips explains why The Cher Show is ‘unmissable & fabulous’
Both have successful decade-spanning careers. Both are driven and fiercely independent. And then there’s the mutual love of sequins. Arlene Phillips talks to Vicky Edwards about Girl Power, refusing to act her age and why The Cher Show is an unmissable and fabulously feel-good extravaganza.
‘Witty & entertaining watch’: RIDE – Charing Cross Theatre ★★★★
There is plenty to be enjoyed about the musical Ride at London’s Charing Cross Theatre. In particular – the quality of Freya Catrin Smith and Jack Williams’ book and music and lyrics which has a delightful spark and charm about them that really make an impact.
‘The audience involvement is what makes it special’: Julian Forsyth is thrilled to be returning to The Woman in Black
Love London Love Culture’s Emma Clarendon chatted to Julian Forsyth about starring in The Woman in Black as Arthur Kipps in London’s West End.
REVIEW ROUND-UP: Diva: Live From Hell! at the Turbine Theatre
Love London Love Culture’s Emma Clarendon takes a look at what critics have had to say about the UK premiere of Alexander Sage Oyen and Nora Brigid Monahan’s musical Diva: Live From Hell!, playing a limited run at the Turbine Theatre.
‘This show has a strong message for today’: Sera Maehara returns to the role of Liat in South Pacific in London & on tour
Love London Love Culture’s Emma Clarendon chatted to Sera Maehara about reprising her role as Liat in Daniel Evans’ production of South Pacific. We chatted to Sera Maehara about reprising her role as Liat in Daniel Evans’ production of South Pacific. How does it feel to be part of this production once again?I
feel very grateful to be back in this show. The process is very exciting, it’s not just coming back to what we found last year, but also discovering new approaches and adjusting to what feels right for us this year.
Review Round Up: Peaky Blinders: The Rise at Camden Garrison
Discover what critics have had to say about Peaky Blinders: The Rise at Camden Garrison in Camden Stables Market, the latest immersive show to play in London.
REVIEW ROUND-UP: The Lion, The Witch & the Wardrobe at the Gillian Lynne Theatre
Love London Love Culture’s Emma Clarendon takes a look at what critics have had to say about this stage adaptation of C.S. Lewis’ beloved children’s story.
REVIEW ROUND-UP: Closer at the Lyric Hammersmith
Love London Love Culture’s Emma Clarendon finds out what critics have had to say about the latest revival of Patrick Marber’s play Closer at Lyric Hammersmith.
REVIEW ROUND-UP: Into the Woods at St James Theatre, New York
We take a look at what critics have had to say about Lear deBessonet’s Broadway production of Into The Woods starring Sara Bareilles and Gavin Creel.
‘You will leave the theatre with a smile on your face’: PRETTY WOMAN THE MUSICAL – Savoy Theatre ★★★★
Based on the popular 1990s film, Pretty Woman The Musical at the Savoy Theatre never strays too far from the original material but does manage to offer extra depth to characters.
‘Deeply compelling watch’: THE SEAGULL – Harold Pinter Theatre ★★★★
Jamie Lloyd’s quietly compelling production of The Seagull features a cast at the top of their game, but Anya Reiss’ adaptation is a little slow to get going.
‘Refreshing take on a tale as old as time’: BEAUTY AND THE BEAST – London Palladium ★★★★
Alan Menken’s classic score for Beauty and the Beast is shown off to its best at the London Palladium in this suitably charming production based on Disney’s animated film.
‘Gripping & insightful piece of theatre’: EVELYN – Southwark Playhouse
Tom Ratcliffe’s compelling play Evelyn at Southwark Playhouse challenges our thoughts and opinions to great effect, while also offering a raw emotional experience.
REVIEW ROUND-UP: This is Not Who I Am at the Royal Court Theatre
Love London Love Culture’s Emma Clarendon takes a look at what critics have had to say about this new play at London’s Royal Court Theatre.
‘I’m happy to be part of something so iconic’: Mika Onyx Johnson stars in Jamie Lloyd’s West End production of The Seagull
Love London Love Culture’s Emma Clarendon chatted with Mika Onyx Johnson about starring in Jamie Lloyd’s production of The Seagull at the Harold Pinter Theatre.
REVIEW ROUND-UP: The Gunpowder Plot Experience at Tower Vaults
Find out what critics have been saying about The Gunpowder Plot Experience at Tower Vaults, the new immersive experience bringing the history of the Gunpowder Plot to life.