The Turbine Theatre opens with an assured revival of Harvey Fierstein’s Torch Song. This is the revised 2017 version, packing the original trilogy of plays into just over two and a half hours.
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Arrows & Traps’ track record adapting classics is second to none, and with this new production of The Strange Case of Jekyll & Hyde Ross McGregor has created something startlingly modern and original that still embraces its Victorian origins.
Rouge, a ‘Circus for Grownups’, is a glorious night of escapism and joy. The tone is more cheeky than sultry, with the burlesque elements full of fun, and the male performers eagerly becoming the butt of jokes and laughter.
What an absolutely brilliant adaptation of the much-loved story The Mousetrap. From the very beginning they had us guessing and wondering who on earth could be behind the London murder.
Yes, The Book of Mormon is offensive with its liberal use of the swear words and the poking fun at religion, Aids and poverty is probably not for the easily offended. But it’s incredibly funny and one of the best musical scores around.
So put “down your knitting, the book and the broom” and rush to the Churchill to see this awesome production of sex, violence, love, friendship, sadness, prejudice that proves life is a Cabaret.
This chilling and atmospheric production of Macbeth from Antic Disposition proves that with a stellar cast, inspired design and an intuitive understanding of Shakespeare’s text, you don’t need high tech bells and whistles to create something magical.
Overall, I thoroughly enjoyed Jerry Springer the Opera. It was non-stop laughs, rude and explicit jokes, and I was impressed with all performers. I would definitely go to see this show again and recommend it to friends to go see for themselves.
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