Katie Arnstein is an award-winning writer and performer. Her latest play, Stick Door, the final part of her It’s a Girl! trilogy, will be performed at the VAULT Festival next month. I caught up with Katie to find out more.
Mates blogger: Kirsty Herrington
Kirsty Herrington is one of over 45 theatre bloggers who are part of the MyTheatreMates collective. This page features Kirsty's posts on MyTheatreMates. Take a look at our full list of theatre bloggers and our aggregated feed of all our Mates' posts. We’re always looking for new theatre bloggers. Could that be you? Learn about how to join us.
The latest from Kirsty on MyTheatreMates
The stage adaptation of Neil Gaiman’s 2013 novel The Ocean at the End of the Lane opens at the National Theatre and looks set to be a hit.
While the theatre world is currently excited about the casting of Elsa in Frozen the musical in London next year, the Park Theatre is celebrating the original Snow Queen with its Christmas production.
Mandy Picks a Husband, an autobiographical show written by and starring Amanda Broomell, continues at London’s Canal Cafe Theatre until 8 December 2019.
With a comedian Zoe Lyons at the helm, expectations for the show are high and thankfully An Act of God lives up to the hype.
Christmas arrived early in Ipswich thanks to new musical The Season, a co-production between the New Wolsey Theatre and Northampton’s Royal & Derngate Theatre.
Sydney & the Old Girl features commendable performances and there is a good dose of humour, however ultimately this sinister play which intends to shock simply leaves you feeling deflated.
One of the hottest tickets of the year, the Old Vic’s revival of Duncan Macmillan’s Lungs sees The Crown royalty Claire Foy and Matt Smith reuniting.
Midlife Cowboy is infectious and entertaining, with a brilliant soundtrack to boot. With a little work it could be a hit.
Written by James Kettle, The Life I Lead (named after Mr Banks’ song in Mary Poppins) tells the story of David Tomlinson’s life and details his extraordinary highs and lows.
There have been numerous performances of Macbeth over the years, but what sets this production apart from more recent plays, as well as the beautiful venue, is the innovative ideas from the directors.
“Having re-read the book, I was struck by how powerful Jane’s path was – and if it had made me feel that way in the 21st century, the effect on its readers when it was first published must have been seismic!”
More from Kirsty
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