Mates blogger: Kristy Stott


Kristy Stott is one of over 45 theatre bloggers who are part of the MyTheatreMates collective. This page features Kristy's posts on MyTheatreMates. Take a look at our full list of theatre bloggers and our aggregated feed of all our Mates' posts. We’re always looking for new theatre bloggers. Could that be you? Learn about how to join us.
Kristy Stott
Kristy Stott, editor of Upstaged Manchester, is an entertainment journalist, theatre critic and general arts lover. Kristy has been an avid follower of the Manchester theatre scene for as long as she can remember and has written for WhatsOnStage, the Library Theatre Company and Cornerhouse Manchester. Kristy is also news editor and presenter for Trafford Sound community radio.
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The latest from Kristy on MyTheatreMates

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‘Brings out the fantastical elements’: THE MAGIC FLUTE – Touring ★★★

In Manchester, Opera, Opinion, Regional theatre, Reviews by Kristy StottLeave a Comment

Opera North’s new production of Mozart’s The Magic Flute takes the composer’s final opera and brings out the fantastical and often comedic elements of what can at times be a dark story – several characters contemplate suicide on stage, but this version avoids ever feeling bogged down in these darker moments.

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‘A deliciously dark gem of a show’: THE ANIMALS & CHILDREN TOOK TO THE STREETS – Manchester & Lyric Hammersmith ★★★★★

In London theatre, Manchester, Opinion, Plays, Regional theatre, Reviews, Touring by Kristy StottLeave a Comment

1927’s The Animals & Children Took to the Streets is a deliciously dark gem of a show. With a running time of just 70 minutes, you might assume that the action would be rushed. Instead, the three performers take their time, wringing every last drop of twisted humour out of each rhyming couplet.

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‘Surpassed every expectation’: THE PRODUCERS – Manchester ★★★★★

In Manchester, Musicals, Opinion, Regional theatre, Reviews by Kristy StottLeave a Comment

The Christmas musical at the Royal Exchange is fast becoming a Manchester tradition. After a run of hits, The Producers has a lot to live up to, but even so, it surpasses every expectation. Raz Shaw’s production of this classic and controversial Mel Brooks musical turns the camp, the glitter and the hilarity up to 11.


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