Tom Lenk is Trash is trash. That’s not even a cruel review, it’s literally what he told me to say. And after seeing the show, I am not going to be so stupid as to say anything he doesn’t want me to.
Mates blogger: Laura Kressly
Laura Kressly is one of over 45 theatre bloggers who are part of the MyTheatreMates collective. This page features Laura's posts on MyTheatreMates. Take a look at our full list of theatre bloggers and our aggregated feed of all our Mates' posts. We’re always looking for new theatre bloggers. Could that be you? Learn about how to join us.
The latest from Laura on MyTheatreMates
Three conspiracy theorists have gathered to unpick discrepancies and inconsistencies in the 1932 photograph ‘Lunch Atop a Skyscraper’ in Conspiracy.
Hot Flush is a great idea and there are some moments that really hit home, but while Hot Flush is far from a complete washout, it’s hard to be fully engaged.
Peter Taylor’s script beautifully utilises imagery and metaphor in River in the Sky at the Hope Theatre and the overarching concept is strong.
Lobster is charming and sweet, if rather naive, making for a refreshing take on the cesspit that is dating by app today.
The Paines Plough Roundabout is the most reliable, new writing venues at the fringe. With a collection of work that represents the width and breadth of the UK both geographically and thematically, this year’s offerings are universally strong.
Guided by a web app, participants have 80 minutes to earn as much money as possible by answering cryptic puzzles. They must choose what equipment to spend their cash on before returning to the meeting place.
As the world feels like it teeters on the edge of a war what with the rise of fascism and the far right, this collage of extracts from Howard Zinn’s writings, music, and original text in The Time Of Our Lies reminds us of the importance of activism and avoiding war at all costs.
There are moments that are incredibly funny in Mating In Captivity, but this isn’t a play that really digs into the knotty issues the initial set-up exposes.
The performances are the strongest feature of this production of Crystal Clear at the Old Red Lion Theatre, along with its access provisions.
Chambers is a truly fantastic night out for anyone who’s brave enough to take the plunge into a new dimension.
Armed with a glitzy jacket, a notebook and a whole lot of anger, Gillian English uses William Shakespeare’s Taming of the Shrew and it’s 1999 teen adaption 10 Things I Hate About You to explore gender roles in traditional and modern art and how they shape us as a society.
Tegan McLeod’s script for Lunatic 19’s is a piercing character study using biting dialogue, ruthless violence and deep, emotional excavation.
Musically the show is lovely, but Fiver sadly feels much more in the past than it should, and for a show that is meant to showcase snapshots of all different people’s lives, lacks any significant diversity at all.
Joyful, filthy, modern and messy – A Midsummer Night’s Dream at the Globe will no doubt separate those who like their Shakespeare more reserved from those desperate for fresher takes on these old plays, but this one is fun, vibrant, socially conscious and current, with excellent performances.
Phosphoros Theatre Company platform immigrants and refugees’ stories using comedy, narration and pathos in Pizza Shop Heroes.
The British Theatre Academy presents this colourful, semi-staged concert version of Stephen Schwartz’s Godspell. Providing a space for young performers to gain real theatrical experience, this particular version is a lovely ode to a well-loved piece of music theatre.
The orchestra, along with the actors and fantastic creative team, create an atmosphere that will leave you longing for your own Italian holiday romance in Light in the Piazza.
Strange Fruit is a complex, dense play that is beautifully played by a talented ensemble and thoughtfully directed by Nancy Medina.
While the name of the show, Kill Climate Deniers, invokes images of violence and negativity – a fact not unnoticed by the playwright – the show is poignant, entertaining and a clever way to stand its ground on an issue that we continue to fight.
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