Based on a true story, new musical Tokyo Rose follows the life of Iva Toguri, an American woman who was wrongly convicted of treason in 1949.
Mates blogger: Liz Dyer
Liz Dyer is one of over 45 theatre bloggers who are part of the MyTheatreMates collective. This page features Liz's posts on MyTheatreMates. Take a look at our full list of theatre bloggers and our aggregated feed of all our Mates' posts. We’re always looking for new theatre bloggers. Could that be you? Learn about how to join us.
The latest from Liz on MyTheatreMates
In Other Words was inspired by writer and performer Matthew Seager’s experiences volunteering in a care home before the pandemic. First performed in 2017 (when Theatre Things reviewed it during its run at The Hope Theatre), the critically acclaimed two-hander now returns in a new filmed version which is available to watch online from today.
As a piece of theatre, Carolyn Lloyd-Davies’ consent drama Penetration left me feeling vaguely unsatisfied – but hear me out, because that’s not necessarily a bad thing.
Beautifully written and emotionally devastating, Cordelia O’Neill’s two-hander Anything Is Possible If You Think About It Hard Enough sensitively explores the impact of losing a child to stillbirth for a young couple.
Proforça Theatre’s Lately doesn’t directly address the pandemic, but the emotions it portrays – loneliness, loss and a longing for escape – are feelings audiences will relate to perhaps even more powerfully given the extraordinary events of the past eighteen months.
Don’t Send Flowers at the White Bear Theatre is a really thoughtful and enjoyable piece of new writing from My Theatre Mates’ Emily Garside, sensitively presented by a talented team.
The impossible “five years” question is posed to each of the characters in Ben Barrow and Lucy Ireland’s excellent new musical From Here – and each has a different answer.
The first in-house production at the Jack Studio since The Invisible Man back in late 2019, Wolves Are Coming From You by Joel Horwood is a story about a small community forced to pull together against an invisible but potentially deadly threat – makin…
Since last March, going to the theatre – like, actually going to the theatre – has become a rare and magical experience. But even by that standard, there’s something truly enchanting about Queen Mab, the first show in Iris Theatre’s 2021 Summer Festival.
Written, rehearsed and filmed in lockdown, Marcia Kelson’s Devil’s Food Cake sensitively shines a light on the impact of an eating disorder on one ordinary family.
You wait all year for an Arrows & Traps production… and then five come along at once. Unable to return to the stage just yet, Arrows have instead taken to the screen – and given the often cinematic style of writer and director Ross McGregor’s work, it should come as no particular surprise that the transition works pretty seamlessly.
The Sleeping Trees’ The Legend of Moby Dick Whittington is a witty, fast-paced musical adventure that’s full of surprises and will have audiences of all ages joining in from (and possibly on, behind or under) their sofas.
Tamara Harvey’s digital production of What a Carve Up! skilfully builds the suspense, while also systematically taking apart those in power who enjoy all the benefits of their position, while allowing the rest of us to take the hit.
Waiting For The Ship To Sail is a worthwhile reminder that while our minds and our media may currently be focused on one crisis, that doesn’t mean other, equally urgent, issues have gone away.
Written by Dameon Garnett in response to the ongoing debate around free speech, Sticks and Stones is a fascinating two-hander that explores how we talk about issues of race, class and privilege in 2020 Britain.
Meat is an intense and thoughtful play, which doesn’t spoon feed answers to its audience but instead poses a set of questions and leaves us to process them in our own way and within the frame of our own experiences.
It’s great to see how Netflix and Chill has grown and the important message that now comes through loud and clear about male mental health and the responsibility we all have to encourage frank and open conversation.
If you’ve ever wondered how this particular legend was born, the play Chaplin: Birth of a Tramp offers a fascinating, entertaining and surprisingly poignant way to find out.
As the Brexit debate continues to rage on, Harry Darell’s timely new play For The Sake of Argument considers the ways in which language can be used for both better and worse,
As a slightly weary Twelfth Night veteran, personally I enjoyed this more sombre adaptation of the play, which remains accessible to newcomers while offering a fresh perspective to those who’ve seen it before.
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