I’m unashamedly a friend and champion of the theatre; but I can never been a simple cheerleader for it, regardless of the circumstances or my connections with people in a show I’m seeing. As honest critics find out all too often, we’re loved when we love something we see; but that can quickly pivot to becoming the enemy when we don’t.
Mates blogger: Mark Shenton
Mark Shenton is one of over 45 theatre bloggers who are part of the MyTheatreMates collective. This page features Mark's posts on MyTheatreMates. Take a look at our full list of theatre bloggers and our aggregated feed of all our Mates' posts. We’re always looking for new theatre bloggers. Could that be you? Learn about how to join us.
Mark Shenton has been a full-time freelance London-based theatre critic and journalist since 2002, and is proud to have co-founded MyTheatreMates with Terri Paaddock. He has variously (and sometimes simultaneously) been chief theatre critic for the Sunday Express, The Stage, WhatsOnStage, What's On in London magazine and LondonTheatre.co.uk. He has taught at ArtsEd London in Chiswick on musical theatre history since 2012. He was until recently President of the Critics' Circle, and is also on the board of Mercury Musical Developments and the National Student Drama Festival (NSDF). You can follow him on Twitter @ShentonStage, and on instagram at @ShentonStage. His personal website is www.shentonstage.com.
The latest from Mark on MyTheatreMates
Now & forever? What is the legacy of Cats 40 years on?
There’s hardly a more insistent ear worm of a song in all of Andrew Lloyd Webber’s ear-wormy repertoire than ‘Memory’, the breakout hit of his 1981 musical Cats, which last night celebrated the 40th anniversary of its premiere at the then New London Theatre (now itself renamed for Gillian Lynne, the choreographer whose work on the show ignited a revolution in global musical theatre, and accidentally created the West End’s first authentic dance-based musical).
Being in the room where it happens: How quickly are theatre audiences going to return?
As theatre next week starts to finally edge cautiously out of a full lockdown of over five full months, plus only very intermittent appearances in the nine months before that, the question arises will the audiences be there for it?
As Phantom & Six announce reopening dates, plans speed up for Broadway’s return
It turns out New York is moving even faster, with the state (and its neighbours, New Jersey and Connecticut), according to the New York Times on Monday, “lifting almost all their pandemic restrictions, paving the way for a return to fuller offices and restaurants, a more vibrant nightlife and a richer array of cultural and religious gatherings for the first time in a year”.
Are we all going to rush to the theatre as soon as social distancing is no more?
Do we have to become responsible for our own Covid safety? So, the man who (allegedly) said he didn’t mind if the bodies were piled high, he didn’t want to impose another lockdown — until he, in fact, did — is now embarking on another experiment in which that may indeed turn out to be outcome. On 21 June, all social distancing is to be scrapped in the UK.
Have theatrical producers of old forgotten how to treat the people who helped them reach the top in the first place?
Now we’ve seen Cameron Mackintosh here in London twice in the last year throw his original investors overboard on his two biggest hits: Les Miserables and The Phantom of the Opera.
Change for the better: The door is opening for a whole host of new producing talent
In London, there are murmurings of change on the horizon. Some of this may take a while to reach fruition, but three brand-new production companies have emerged in the last few weeks.
Beneath contempt: Mark Shenton reacts to the empty promises made over the return of Phantom to the West End
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The post April 27: The rotten stench of contempt for people, from the government to its people and from producers to their orchestras and audiences first appeared on Shenton Stage.
Put another dime in the jukebox baby: Mark Shenton picks out his Top Ten jukebox musicals
Jukebox musicals have become a staple of Broadway and the West End for a while now; familiarity, you could say, breeds contented audiences. As Mamma Mia! used to tag the show in their advertising: “You already know you’ve going to love it!”
Mark Shenton’s weekly chart of forthcoming theatrical comings & goings has some new entries
This weekly column keeps track of the shows that are coming back, or are newly being announced, as theatres prepare to re-open from next month onwards. It will be updated weekly until such time as it becomes a reality, and from then on will provide a weekly update to that week’s openings and future ones.
Putting profits before people? Where is the original Phantom of the Opera we were promised?
When The Phantom of the Opera was unloaded from the Her Majesty’s Theatre last year, it produced the forlorn sight of the original Phantom chandelier resting on the pavement outside the theatre instead of poised over the proscenium from which it famously comes crashing down over the heads of those seated in the stalls.
‘If you can’t join them, beat them’: Mark Shenton reacts to the Scott Rudin ‘bullying’ controversy
On Monday, leaders of three American entertainment unions — SAG-AFRA, Actors’ Equity Association and the American Federation of Musicians Local 802 released a joint statement condemning workplace harassment, bullying and violent behaviour.
Deserving talent: When will disabled arts & artists make a substantial cross-over to the mainstream?
It’s peculiar that disabled arts and artists are yet to make a substantial cross-over, at least in British theatre. Yes, there was one happy incidence of this at the Donmar Warehouse, when gay disabled actor Daniel Monks starred in their production of Teenage Dick in 2019.
Why Mamma Mia! remains an irresistible show – according to Mark Shenton
Mamma Mia! recently marked its 22nd anniversary in the West End (it premiered at the Prince Edward Theatre on 6 April 1999, subsequently moving twice — first to the Prince of Wales, and then its current home, the Novello).
Mark Shenton picks out his favourite regional theatres for the latest ShenTens podcast
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The post ShenTens: My Top 10 Favourite Regional Theatre Venues first appeared on Shenton Stage.
There’s still uncertainties on the road to theatres’ recovery
We are just over a month away from the cautious re-opening of indoor theatre venues from 17 May, which will restore theatres to their pre-lockdown condition last December of being able to operate at 50% capacity, up to a maximum of 1,000 people.
Returning & new productions heading for the West End & beyond post-lockdown: Are you up to date?
Meanwhile, I want to start keeping track of the shows that are coming back, or are newly being announced, in a new feature here that will be updated weekly until such time as it becomes a reality, and from then on will provide a weekly update to that week’s openings and future ones.
Marking the nostalgia of the past for Follies’ 50th & edging towards some hope for Broadway’s future
On Friday the resumption of theatre life began in New York; meanwhile, today is the 50th anniversary of the Broadway opening night of Stephen Sondheim’s Follies, his jagged and shattering tribute to the musicals as well as the marriages of yesteryear, as James Goldman’s characters confront their current predicaments as middle and old-aged people looking back on their lives through the prism of the nostalgia of their theatrical pasts — all set to a score that gently pastiches the songs of the period while actually improving on them.
‘Here they come, those talented leading ladies’: Mark Shenton picks his Top Ten Broadway leadingladies
All of my ShenTens podcasts to date have concerned the living. Today I’m visiting the past, sometimes fairly recent, of my favourite past legends of musical theatre’s great Broadway leading ladies.
‘I think once you’re an entrepreneur, it’s in your DNA’: How Howard Panter & Rosemary Squire can’t resist building a theatre empire
It’s been announced that Howard Panter & Rosemary Squire’s Trafalgar Entertainment are joining forces with regional theatre operator HQ — who currently operate 11 venues from Bromley and Dartford to Southend, Swindon, Crewe and Guildford.