Mates blogger: Maryam Philpott


Maryam Philpott is one of over 45 theatre bloggers who are part of the MyTheatreMates collective. This page features Maryam's posts on MyTheatreMates. Take a look at our full list of theatre bloggers and our aggregated feed of all our Mates' posts. We’re always looking for new theatre bloggers. Could that be you? Learn about how to join us.
Maryam Philpott
Maryam Philpott has run the London-based Cultural Capital blog since 2013, predominantly reviewing theatre, but also exhibitions and special film screenings with a more in-depth and discursive approach. Since 2014, Maryam has also written regularly for The Reviews Hub, reviewing all forms of professional theatre including Fringe and West End, as well as contemporary dance, ballet and opera. She has a background in social and cultural history, and tweets as @culturalcap1.
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The latest from Maryam on MyTheatreMates

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‘A West End stage is exactly where this story belongs’: CRUISE – Duchess Theatre

In London theatre, Opinion, Plays, Reviews by Maryam PhilpottLeave a Comment

Duchess Theatre, London – 13 June 2021 As theatres reopen, the long influence of digital forms is already making itself felt. Jack Holden’s new play Cruise premiered online last month via Stream Theatre and last week stole a march on its digital equivalents by becoming one of the first shows to open in the West End. The opportunities afforded by …

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‘Ridley excels at these forensic character studies’: TARANTULA – Southwark Playhouse (Online review)

In London theatre, Online shows, Opinion, Plays, Reviews by Maryam PhilpottLeave a Comment

Tarantula isn’t perfect and is certainly too long but Ridley’s latest twin works have been ideally suited to the nature of hybrid theatre, utilising the intimate and seemingly one-to-one focus that only a camera can create while building on the energy and vibrancy of live performance.

The long aftermath of trauma is the subject of Philip Ridley’s latest monologue for Southwark Playhouse building on the writer’s established relationship with the venue and the sensational The Poltergeist which premiered last November to an online …

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‘Celebrating the breadth & creativity of the theatre industry’: THE MEANING OF ZONG / AFTERPLAY – BBC Sounds

In Audio, Online shows, Opinion, Plays, Reviews by Maryam PhilpottLeave a Comment

The Meaning of Zong and Afterplay showcase the power of audio drama to transport an audience’s imagination and to see the familiar a little differently.

With light at the end of the tunnel for live performance and some of our biggest institutions announcing summer programmes at their venues, the BBC’s new Lights Up Festival has arrived at a moment of optimism, not just acting as a reminder of all …

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‘A significant achievement of this third lockdown’: Late Night Staring at High Res Pixels – Finborough Theatre (Online review)

In London theatre, Online shows, Opinion, Plays, Reviews by Maryam PhilpottLeave a Comment

When we left 1 and A in Episode 14 of Athena Stevens’ Late Night Staring at High Res Pixels they were both in some kind of moral and emotional jeopardy, and it seemed appropriate on International Women’s Day to return to this nuanced and considered exploration of female agency, solidarity and behaviour.

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‘Engaging insights into living with & exploring the nature of disability’: Unlimited Festival – Southbank Centre (Online review)

In Features, London theatre, Musicals, Opinion, Plays, Reviews by Maryam PhilpottLeave a Comment

Festivals are a vital part of the theatre ecosystem, a place to try out new material, explore form and style while giving a valuable platform to all kinds of performance. These activities have been among the hardest hit during the period of closur…


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