Fun Home exceeds all expectations. It’s one of those productions where everything – book, music, performance, design – comes together in perfect harmony and by the final notes you know you’ve witnessed something sublime.
‘An under-appreciated 20th-century classic?’: ABSOLUTE HELL – National Theatre
I was thrilled that a new generation (myself included) could get an opportunity to see the play and experience a plethora of luscious characters that are frightened of their selves as much as they are of the war. It’s a shame, then, that Joe Hill-Gibbins’ production is rather unfocused and has left me with the impression that the play is not as good as I initially thought.
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