As the world returns to a new normal, there aren’t many better ways to spend an evening than enjoying a glorious musical in the beautiful setting of Opera Holland Park. Quick Fantastic has returned to the space to present Wonderful Town, the half-forgotten 30s musical which brims with exhilarating jazz and witty comedy.
Mates blogger: Olivia Mitchell
Olivia Mitchell is one of over 45 theatre bloggers who are part of the MyTheatreMates collective. This page features Olivia's posts on MyTheatreMates. Take a look at our full list of theatre bloggers and our aggregated feed of all our Mates' posts. We’re always looking for new theatre bloggers. Could that be you? Learn about how to join us.
The latest from Olivia on MyTheatreMates
As the final chorus of The Greatest Showman’s ‘From Now On’ rang out “and we will come back home”, I was reminded that the theatre really is home and if West End Musical Celebration is what it’s like then I never want to leave.
Here comes the sun, here comes some form of normality and most importantly, Here Come The Boys. In their West End transfer, following a successful UK tour, four of Strictly’s favourite boys take to the stage to showcase their impeccable dance skills and take us on a journey of styles and music.
Created by Wild Mountain Productions and presented by Greg Barnett, a spectacular line-up was brought to the stage of the Apollo to take us through a night of vocal gymnastics, diversity, humour and just a bunch of fun in the first instalment of Monday Night at the Apollo.
The Show Must Go On is an immersive, cabaret dining experience which packs a punch. The night is complete with a three hour show, a two course meal, a welcome cocktail and bottomless Prosecco, you couldn’t really ask for more.
After the success of the online streamed version of Jason Robert Brown’s Songs For a New World, Lambert Jackson has brought the musical back as one of the first live, in person performances in the West End. Theatrical powerhouse Rachel John will be starring in the show and is extremely excited to get back to performing…
The terrific cast of triple threats make the bittersweet, upbeat and consistently enjoyable musical Pippin at the Garden Theatre a must see.
During the Golden Age of Hollywood, movie musicals were abundant and arguably the most popular genre. However, with the move towards pop culture in the 1960s, their popularity dwindled and gave way to a more rebellious style and tone.
I hope no one minds these more chatty style posts, but with all that’s going on, I wanted to switch it up a little bit and bring some more relaxed posts about how we can keep ourselves sane, and of course stagey, in these trying times.
For spectacle and energy, The Prince of Egypt is worth a visit. It’s not going to change your life but it’ll provide a fun few hours of superfluous theatricality that looks and sounds very pretty.
For a celebration of music, life and heritage, get On Your Feet! and conga your way to see this tour.
While audiences may find The Pirate Queen too repetitive to work as a fully realised production, it provides an evening of outstanding vocal talent and swashbuckling storytelling.
A beautiful, heartfelt story of an unlikely friendship between a Dublin busker and a Czech musician, we present five reasons why you should see Once on its current UK tour.
Rachel Tucker is taking on the role of Grace O’Malley in the one night only London premiere of the musical Pirate Queen. Rachel told us all about the show, her favourite moments and what it’s like to bring real life characters to life on stage.
‘Once isn’t hugely romanticised and I think that’s what people love about it’: What life is like on tour by Once The Musical’s Emma Lucia.
The entire seventy minute show feels like a pan on the boil, continuously moving and flowing and engaging. Poet in da Corner is funny, truthful, inventive and really worth seeing.
The entire New Adventures company prove once again in The Red Shoes why they’re so revered in this glorious looking and exceptionally assured production.
Everybody’s Talking About Jamie is a show which delights and inspires in equal measure and is sure to retain its spot in theatre lovers’ hearts for the foreseeable future.
The masters of laughter, Mischief Theatre are back at it again with a gut wrenchingly funny touring version of Peter Pan Goes Wrong, which takes everything theatrical and jumbles it into a mess of impassioned, choreographed mayhem.
Bronagh Lagan’s production of Rags has heart in spades and provides a real impact through the thoughtful way its themes are tackled.
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