Mates blogger: Rev Stan


Rev Stan is one of over 45 theatre bloggers who are part of the MyTheatreMates collective. This page features RevStan's posts on MyTheatreMates. Take a look at our full list of theatre bloggers and our aggregated feed of all our Mates' posts. We’re always looking for new theatre bloggers. Could that be you? Learn about how to join us.
Revstan
Revstan really is a reverend (it's amazing what you can buy on the internet) but not a man (the Stan bit is a long story). By day, she is a freelance editor and copywriter; at night, she escapes into the world of theatre and has been blogging about it at theatre.revstan.com since 2007. She says: “I'll watch pretty much anything, from something performed on a stage the size of a tea tray to the West End and beyond. The only exception is musicals. Tried 'em and they just don't do anything positive for me.”
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The latest from RevStan on MyTheatreMates

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‘The performances are top-notch’: THE BEACH HOUSE – Park Theatre

In London theatre, Opinion, Other Recent Articles, Plays, Reviews by Rev StanLeave a Comment

They say moving is one of the most stressful things you can do. What happens when you move to your dream beachfront home that is ‘in need of renovation,’ you have a baby on the way, and your relationship is evolving fast? Add a flighty sister, and you’ve got the premise for Jo Harper’s new play The Beach House at the Park Theatre.

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‘It lingers in your mind’: THE ELEPHANT SONG – Park Theatre ★★★★

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Nicolas Billon’s The Elephant Song at the Park Theatre takes us through a game of cat and mouse as Dr Greenberg tries to talk resident Michael into revealing the information he has. Michael, with his toy elephant always in his hand, knows the information he has might give him some leverage. He wants to leave the hospital.

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‘Vividly atmospheric & kinetic production’: OTHELLO – National Theatre ★★★★

In London theatre, Opinion, Other Recent Articles, Plays, Reviews by Rev StanLeave a Comment

The National Theatre’s Lyttelton stage has been transformed with steps and terraces around the performance space, creating a look that is a cross between an ancient greek theatre and a fighting pit. Before the play starts, images of past productions of Othello and the year they were performed are projected onto the steps and back wall as a reminder of the story’s timelessness.

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‘The power is in the modern parallels’: RICHARD THE SECOND – Omnibus Theatre ★★★★

In London theatre, Opinion, Other Recent Articles, Plays, Reviews by Rev StanLeave a Comment

Anna Coombs’ adaptation of Shakespeare’s Richard II sees the story slimmed down for five actors, with three of the cast playing more than one character. It focuses the attention on King Richard (Daniel Rock) and his cousins, the loyal Aumerle (Lebogang Fisher) and Henry Bollingbroke (Raheim Menzies), and the power tussle between them for the crown

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‘A profoundly thought-provoking play’: GOOD – Harold Pinter Theatre ★★★★★

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A victim of rescheduling because of theatre lockdowns, Good, starring David Tennant, finally gets in front of an audience but is it worth the wait? Tennant is a household name because of his screen work, but he is also a seasoned stage actor, taking on an eclectic mix of roles from Hamlet to Don Juan in Soho, so expectations are high.

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‘A brilliant ensemble piece’: EUREKA DAY – Old Vic Theatre ★★★★★

In Comedy, London theatre, Opinion, Other Recent Articles, Plays, Reviews by Rev StanLeave a Comment

There is a scene in Eureka Day at the Old Vic during which the audience is roaring with laughter, but it isn’t anything to do with the actors who are on stage or what they are saying. And it isn’t a mistake, it is intended, and it’s a genius scene for a couple of reasons, how the actors carry on regardless and the relatable source of the comedy.

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‘Some of the twists are gasp-inducing’: THE CLINIC – Almeida Theatre ★★★

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Tea drinking features heavily in Dipo Baruwa-Etti’s posh kitchen-set play The Clinic at the Almeida Theatre. But this tea may or may not have intoxicating or calming effects; even those who fervently dislike infusions get a taste for it. And that is The Clinic, a mix of contemporary family drama and something more difficult to put a finger on.

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‘Subtle but powerful’: WHO KILLED MY FATHER – Young Vic Theatre ★★★★

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I can now say I’ve seen Kate Winslet and Leonardo DiCaprio on stage. OK, so they were on telly on stage, but that is technically on stage. Kate and Leo were in Titanic mode, the favourite film of the son in Who Killed My Father. His homophobic father initially refuses to get him the video for his birthday.

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‘It feels like several plays mashed together’: THE FELLOWSHIP – Hampstead Theatre

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Roy Williams’ play The Fellowship centres on a small family unit, but there are a lot of big things going on. Dawn (Cherrelle Skeet) is grieving the loss of a child while caring for her terminally ill mother with little help from her high-flying lawyer sister Marcia (Suzette Llewellyn). She can tell her teenage son Jermaine (Ethan Hazzard) is lying to her, and if it’s about what she suspects, she will be fuming.


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