What a pleasure to see Rufus Norris’ award winning production of Kander and Ebb’s Cabaret at the Churchill Theatre in Bromley.
Mates blogger: Shanine Salmon
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The latest from Shanine on MyTheatreMates
With Go Bang Your Tambourine, the Finborough Theatre has once more succeeded in digging out a purportedly dated play and bringing it to life in a manner which is faithful to the playwright but does not alienate a modern audience. Kudos to them.
I commend the writers Taz Skykar and Ross Berkeley Simpson and the director Toby Clarke of Warheads for attempting to tackle the topic of PTSD for soldiers and how it affects their loved ones.
Ned Bennett’s direction is another star of the show; the relationship between Ira Mandela Siobhan as Nugget, a Chestnut horse who has a close relationship with Strang, is stunning.
Bianca Bagatourian’s script adapts the life and work of Howard Zinn (who passed away in 2010) into this 65-minute long play.
Distilling a significant chunk of Homer’s ancient epic into a fringe-friendly 55 minutes is a huge task, but one which writer Jack Fairey somehow achieves with ease in Wrath of Achilles.
Creation Theatre’s The Tempest is well worth a trek to Oxford, especially for reluctant theatre-goers who might have given up on Shakespeare in the past.
James Macdonald is the latest director to tackle The Night of the Iguana, perhaps best known from its film adaptation starring Richard Burton , Deborah Kerr and Ava Gardner.
Yours Sincerely is a coming of age story from Will Jackson (also performing) and Lucy Bird, founders of Quick Duck Theatre, directed by Anna Himali Howard.
For a play that starts and ends with the sound of the ocean, Lunatic 19’s is one tight, claustrophobic package in between.
Be prepared to be enchanted, provoked, and emotionally drained in Othello Remixed. This passionate interpretation of Othello feels so right and so believable.
Dark Sublime is a fun and interesting night out that will attract a new audience with an interest in television to the theatre.
This apt revival of Caryl Phillips’ first play, Strange Fruit, stirred up a maelstrom of memories for me, a second generation Caribbean immigrant, growing up in a city on the south coast of 1970s/1980s England.
Going to see The Sandman is more than just the chance to see some young superstars in the making. It’s a great show, with a powerful message and some gripping acting performances (and a tap dance).
Molly Taylor’s What was Left looks at what happens when young people are forced to grow up too quickly.
A Right Royale Tea from BoRo Live Experiences is a fun and frothy show aimed mostly at the grey pound and those looking to expand on their afternoon team experiences.
David Narayan is an engaging performer and a skilled magician but the concept behind The Psychic Project needs work and the tricks need to feel more original to really impress audiences
Fatty Fat Fat is a show by Katie Greenall and Daisy Hale (performed by Greenall alone) which includes dance, movement, a mini game show, audience participation through crisp eating, a ballet dance and a member of the audience becoming a cast member.
The European premiere of David Finnigan’s controversially-titled satire Kill Climate Deniers successfully combines a deeply serious message with some some serious on-stage silliness, set to a spectacular soundtrack of early 90s house and techno.
J’ouvert, a debut play from Yasmin Joseph and the directorial debut of Rebekah Murrell, is an ambitious play, encompassing the spirit, commercialism and epic Notting Hill Carnival.
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