At a time when headlines reduce the debate around racism to good or bad, black or white, Drip Drip Drip is a masterly exercise in exploring the grey… It’s theatre at its best.
Mates blogger: Shyama Perera
Shyama Perera is one of over 45 theatre bloggers who are part of the MyTheatreMates collective. This page features Shyama's posts on MyTheatreMates. Take a look at our full list of theatre bloggers and our aggregated feed of all our Mates' posts. We’re always looking for new theatre bloggers. Could that be you? Learn about how to join us.
The latest from Shyama on MyTheatreMates
From the wicked Queen who can’t let go of her stupidly innocent son, from the dumbstruck King to the spunky swamp Princess who swims the moat and swashbuckles her way into favour, this is a show for the young, and the young at heart.
It’s amazing how entertaining deportation can be. We laughed our way through the stories of crime and punishment collated in the glorious confection that is Hassan Abdulrazzak’s The Special Relationship.
Jimmy Porter is the Heathcliff of kitchen sink drama. Dark, sexy, harsh, demanding, cruel; his vicious turns of phrase delivered in poetic flourishes, excite and repel in equal measure.
Netflix & Chill bristles with promise from the off. Ben’s a working-class boy who’s been to university and is saving for a masters by working as a chef in the local pub. He’s gentle, he’s kind, and he’s making the best of a bad hand.
Strangely wonderful and wonderfully strange. That’s the only way to sum up People Show 137. Basically, two old blokes, aided and abetted by some other old blokes, a chanteuse puppet, and the legs of three can-can dancers, are in a French café where the single croissant has been dusted, ready for sale.
Over the years, I have come to the conclusion that the litmus test of a good Christmas show is not whether the grown-ups are enjoying the writing or the acting or the storyline, but how the children are responding.
After a cinematic start with the characters caught in spotlights mid-activity, we tumble into The House of the Spirits with a series of brutal scenes – rape, bullying, exploitation, pain.
Anupama Chandrasekhar’s tense and searching new play When the Crows Visit is a theatrical response to the 2012 Delhi gang rape of a young woman on a bus. These men walk among us, protected by the very society they are undermining; how does that happen?
Trafalgar Studios, London – until 23 November 2019 We can only judge the dead through the narratives of others. When those narratives contain a level of both culpability and finger-pointing, who are we to believe? And should it matter when the dead girl at the heart of their concerns is a 15-year-old who committed suicide by jumping from a road …
There are some really interesting ideas in Dissociated, from the exploration of a woman’s psyche during continuous nights of conscious sleep to the fact that the traumas she unearths are punctuated with singing and dancing.
It’s an intriguing premise. A successful middle-aged woman approaches a blind lottery ticket seller and offers him money to spend an hour in a hotel room with her. What does she want, and what is his expectation?
How deep are the internal divisions in British society post-Brexit, and is it possible that the anger erupting on the streets around Westminster every day could escalate to the point of civil war? That is the question underpinning James Lewis and Alexander Knott’s dystopian new play, At Last, which literally had me pinned to my seat with anxiety at times.
It is interesting that Camden People’s Theatre is running two, unconnected, shorts each evening, both exploring issues around women and the grief many experience when love goes wrong.
Michael Morpurgo’s story, The Mozart Question, is essentially about the solace and joy great music gifts us. For Paola’s parents, however, beautiful music presages pain and shame and guilt.