An Off-Broadway show with the nerve to charge Broadway prices, the “Bard Summerscape Production of” Oklahoma! plays out like a cynical practical joke on theatregoers. The egregious experiment is a blight on 75-plus years of American musical theatre.
Mates blogger: Simon Parris
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The latest from Simon on MyTheatreMates
A truly spectacular spectacular, Moulin Rouge burns through the budget of a hundred musicals, all in the quest for extravagant entertainment.
Pure escapist fun, new Broadway musical Beetlejuice runs high on daffy hilarity with an irresistible undercurrent of snarky wickedness.
Storm Boy is theatre for children and yet it is not children’s theatre. As memorable family entertainment it is very hard to beat, with the additional benefit of possibly inspiring follow-up conversations on deeper issues.
The Australian Ballet heads straight back down the rabbit hole, returning award-winning 2017 hit Alice’s Adventures in Wonderland to the Melbourne stage for a very welcome encore season.
Lazarus is unlikely to appeal to lovers of traditional musical theatre, but for those seeking theatre with an edge the production more than lives up to its tantalising promise.
Intelligently conceived and handsomely staged, David McVicar’s production of Così fan tutte matches elegance and wit with the simple pleasure of Mozart’s heavenly music.
Verdi’s richly melodious tragedy glistens again as Opera Australia returns its much loved Moshinsky staging of Rigoletto to the Melbourne stage.
Given the resources regularly lavished on revivals of international classic plays, this season of modern Australian classic Così is as welcome as it is deserving.
An all too rare independent musical theatre production, the new Australian staging of Barnum sees Todd McKenney embrace the chance to play iconic huckster P. T. Barnum.
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