I’ve been remiss in not getting back up to Kilburn, where I lived for many years, since the reopening of Kiln Theatre. But I was able to put that right with a trip to artistic director Indhu Rubasingham’s world premiere production of Anupama Chandresekhar’s When the Crows Visit.
Mates blogger: Terri Paddock
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The latest from Terri on MyTheatreMates
In The Good Scout’s final sell-out week at Above the Stag Theatre, Mate Terri Paddock returned to chair a post-show discussion with writer-director Glenn Chandler and his cast about the play’s frightening timeliness.
As part of her ongoing post-show talk series, Mates co-founder Terri Paddock reunites with drag collective Sink the Pink for the second annual alternative Christmas offering at the Pleasance, Escape From Planet Trash. Got any questions?
As the RSC’s latest staging of Shakespeare’s The Taming of the Shrew, here’s a throwback to when Mate Terri Paddock chaired a fascinating panel discussion in Stratford-upon-Avon around the themes in the play and production.
After Rat Pack Confidential and Sinatra and Me, Richard Shelton wanted to take a new look at the life of Frank Sinatra, on the eve of his (short-lived) retirement. Terri Paddock chaired a Sinatra: Raw post-show talk.
I’m a big fan of the late, Pulitzer Prize-winning American playwright (and Oscar-nominated actor) Sam Shepard. How wonderful to be able to see and discuss one of his late plays, Ages of the Moon, which now receives its UK premiere two years after Shepard passed away.
As part of an ongoing series, I’ve chaired post-show talks with various Mischief Theatre casts this year, all of whom waxed lyrical about the brilliance of the company founders. Last week, I had a chance to pose questions to those original mischief-makers themselves at their brand-new comedy Groan Ups.
I feel like I’ve known writer Sarah Rutherford for years… that’s one of the positives of social media. (We follow each other on Twitter.) The irony is it’s her new play, The Girl Who Fell, about some of the negatives of social media that finally precipitated my meeting her in person.
A philosophising cat, a famished dog and a family of mites all make appearances – and strong impressions – in Mites, a new play by up-and-coming young British playwright James Mannion, written in the best traditions of the Theatre of the Absurd.
This one will get you into the Christmas spirit, guaranteed. I’m gearing up for the holidays with the hilarious duo of Dan & Jeff and their festive favourite Potted Panto, another in my series of post-show talks for producer James Seabright.
Ahead of my post-show Q&A tonight, I was at the Vaudeville Theatre for the official opening of the world premiere of Mischief Theatre’s new comedy Groan Ups last Thursday (10 October 2019).
I’m delighted to return to the Cervantes Theatre, London’s home of Spanish and Latin American drama, for my last of three post-show Q&As in the 2019 season. After new original plays The Reality and The Eyes of the Night, I’m back for this much-anticipated page-to-stage adaptation of Isabel Allende’s breakthrough debut novel The House of the Spirits.
Mate Terri Paddock chaired a post-show discussion at the West End revival of A Day in the Death of Joe Egg with director Simon Evans and the cast.
I was disappointed not to see Emma Rice’s adaptation of Angela Carter’s much-loved final novel Wise Children last year at the Old Vic Theatre or on its extensive tour, but delighted to be given another chance to catch it last week thanks to More2Screen.
As part of her ongoing post-show Q&A series, Mates co-founder Terri Paddock is back at The Vaults giving thanks to the Almighty herself for the European premiere of “sinfully funny” comedy An Act of God. Got any questions for creatives and cast?
As part of her ongoing post-show Q&A series, Mates co-founder Terri Paddock reunites with producer Debbie Hicks at The Vaults for her production of the much-anticipated UK premiere of Sam Shepard’s Ages of the Moon. Got any questions?
As part of her ongoing post-show Q&A series, Mates co-founder Terri Paddock will talk to writer-director (and Taggart creator) Glenn Chandler and the company of The Good Scout in its London transfer. Any questions?
Did you know that David Hare’s The Permanent Way has a subtitle? It’s “La Voie Anglaise”… “The English Way”. This play is about more than just railways.
Why revive the play in 2019? How are people separate from their beliefs? What happened to the real Combat18 (and what does its name stand for)?
What fun to return to the Criterion Theatre to see a brand-new cast put their stamp on Mischief Theatre’s The Comedy About A Bank Robbery, as the first in a series of monthly post-show Q&As with the comic geniuses. Watch the full discussion.