Mates blogger: Terri Paddock


Terri Paddock is one of over 45 theatre bloggers who are part of the MyTheatreMates collective. This page features Terri's posts on MyTheatreMates. Take a look at our full list of theatre bloggers and our aggregated feed of all our Mates' posts. We’re always looking for new theatre bloggers. Could that be you? Learn about how to join us.
Terri Paddock
Terri Paddock runs the Terri Paddock Group, which provides content and social media marketing services for theatre clients across channels including MyTheatreMates.com, StageFaves.com, Stage Talk and TerriPaddock.com. Previously, Terri Paddock founded WhatsOnStage.com and the WhatsOnStage Awards, running the company and its events from 1996 to 2013. Terri is also the author of two novels, Come Clean and Beware the Dwarfs, and has previously written for the Evening Standard, Independent, The Times and other national publications. She is renowned for her 'legendary' post-show Q&As and also produces the annual Critics' Circle Theatre Awards and acts as a digital, content strategy and event consultant for theatre, producers and other clients. She tweets about theatre at @TerriPaddock.
Terri Paddock on FacebookTerri Paddock on InstagramTerri Paddock on TwitterTerri Paddock on Youtube


The latest from Terri on MyTheatreMates

View Post

Hacked off: Bean and Hytner put the Great back into Britain with political satire

In Features, Interviews, London theatre, News, Opinion, Plays by Terri PaddockLeave a Comment

The News of the World phone hacking trial may have ended yesterday, but the drama continues at the National Theatre where, less than 24 hours after the end of the eight-month trial at the Old Bailey, outgoing artistic director Nicholas Hytner this morning finally confirmed rumours that Richard Bean has indeed been working on a […]

View Post

Wanted: Small Asian children for Miss Saigon

In Features, Inspiring people, Interviews, London theatre, Musicals, Opinion, Reviews by Terri PaddockLeave a Comment

Do you have a small, confident, South-East Asian-looking child? If so, Jo Hawes is looking for you. My interest was piqued when I attended Miss Saigon recently at the West End’s Prince Edward Theatre. On the cast credits page of the programme, just below the notification about American stars Eva Noblezada (who plays Kim) and […]

View Post

Hey, Ms Producer! Sonia Friedman leads the growing ranks of female producers

In Broadway, Features, Inspiring people, Interviews, London theatre, Musicals, News, Opinion, Plays by Terri PaddockLeave a Comment

Maybe it’s because I’m considering trying my own hand at producing and the universe is sending me encouragement, but everywhere I look at the moment, I see female producers. On Sunday night, the powerhouse that is Sonia Friedman takes another shot at Tony Awards glory in New York, where her transfers of the Shakespeare’s Globe […]

View Post

Never mind Titus: The West End is awash with blood

In Features, Interviews, Opinion, Plays by Terri PaddockLeave a Comment

There’s been a lot of media attention around the Globe’s Titus Andronicus. Once again, Lucy Bailey’s production – which starred Douglas Hodge in its first 2006 outing and now has William Houston in the title role – has got audiences fainting on Bankside. Titus, with the strapline “brutality of the highest order”, is an extreme example […]

View Post

Don’t ride the Tube with blood on your face… Urinetown‘s company manager explains

In Features, Inspiring people, Interviews, London theatre, Musicals, Opinion by Terri PaddockLeave a Comment

David Curl, company manager of Urinetown at St James Theatre, recalls the challenges of working with so much stage blood. The show is now aiming for a West End transfer, venue still to be announced. I first had to use a large amount of blood onstage in a tour of Matthew Bourne’s Highland Fling in […]

View Post

Who owns Shakespeare? Phyllida Lloyd and Harriet Walter lay claim for women

In Features, Inspiring people, Interviews, London theatre, Opinion, Photos by Terri PaddockLeave a Comment

“Julius Caesar rocked my world,” says Donmar artistic director Josie Rourke. She isn’t talking about the play alone, but rather Phyllida Lloyd’s acclaimed all-female production, which Rourke programmed at the Donmar Warehouse in late 2012-early 2013 before transferring it to New York for a run at St Ann’s Warehouse. Now director Lloyd is reuniting with star […]

View Post

Noel Coward in three events: Blithe Spirit, Relative Values and Tonight at 8.30

In Features, Inspiring people, London theatre, Opinion, Plays, Reviews by Terri PaddockLeave a Comment

You only have three more weeks to catch Blithe Spirit at the Gielgud Theatre. Michael Blakemore’s production – and, more specifically, Angela Lansbury’s performance in it as dotty clairvoyant Madame Arcati – is undoubtedly one of the theatre events of the year. The “eventfulness” of the occasion has little to do with the play. The […]

View Post

Tony trivia: Twelfth Night is officially a history play

In Awards, Broadway, Features, London theatre, News, Opinion, Plays by Terri PaddockLeave a Comment

Twelfth Night is generally classified as one of Shakespeare’s comedies, but last week it officially became a history play as well, after its phenomenal haul in this year’s Tony Awards nominations. Mark Rylance is already something of a Tony legend. He has won Best Actor twice for two other London transfers –1960s farce Boeing-Boeing in […]

View Post

What I learned today: Help! SOS doesn’t mean anything

In Features, London theatre, Opinion, Plays, Quotes, Reviews by Terri PaddockLeave a Comment

With all the blood and gore – and fantastically poetic staging care of director John Tiffany and choreographer Steven Hoggett – Morse code may not be the first thing you associate with the National Theatre of Scotland’s production of vampire Let the Right One, now playing at the West End’s Apollo Theatre. But it nevertheless […]

View Post

Musicals to make you laugh: Dirty Rotten Scoundrels and Urinetown

In Features, London theatre, Musicals, Opinion, Photos, Quotes, Reviews by Terri PaddockLeave a Comment

The Book of Mormon now has two major contenders for the title of funniest musical in London. But why just coronate one?! Let’s go ahead and give them all crowns (or tiaras, if they prefer). In any case, rest assured, if you enjoyed the South Park creators’ naughty humour, you will love these two as […]

View Post

What did I miss? Part Two: Musical chairs

In Features, London theatre, Musicals, News, Opinion by Terri PaddockLeave a Comment

Before we were so rudely interrupted by the weekend and my boyfriend Peter’s demands (schlockily entertaining by the way, even while having to wear 3D glasses), I was recapping “The Month That Theatre Terri Lost”. The point being: a lot has happened, and generally always does happen in Theatreland, amen, let us count our blessings. So […]

View Post

The horrors of Headlong’s 1984 strike close to home

In Features, Opinion, Plays, Reviews by Terri PaddockLeave a Comment

I came home from the opening night of Headlong’s 1984 at the Almeida Theatre in a foul mood. It’s a brilliant production and a slick adaptation by Robert Icke (@robertwicke) and Duncan Macmillan (@SleeveNotes) – though slightly over-reliant on the gimmick of performing key scenes backstage and then projecting them onto Orwell’s ever-present telescreens, hung […]

View Post

Saskia Reeves’ two contrasting roles: The Mistress Contract and A Disappearing Number

In Features, London theatre, Opinion, Photos, Plays, Reviews by Terri PaddockLeave a Comment

Two things kept coming to mind as I watched The Mistress Contract at the Royal Court. The two-hander, starring Saskia Reeves and Danny Webb, is based on a memoir, authored by the anonymous She and He and published last year. The book, and subsequent play by Abi Morgan, details the couple’s three-decade consensual and contractual […]

View Post

Old versus young actors and audiences: Home Sweet Home

In Features, Inspiring people, London theatre, News, Opinion, Quotes, Regional theatre by Terri PaddockLeave a Comment

Every subsidised theatre, as well as PR and social media savvy commercial producers, has an audience development agenda. Though the idea, of course, is to make theatre accessible to all, including ethnic minorities and disabled groups, the lion’s share of the outreach attention and effort is directed at getting young people into theatre. (Ticketmaster’s recent […]