‘Brilliant, naughty & outrageously funny’: Avenue Q –Touring ★★★★

In Musicals, Opinion, Regional theatre, Reviews, Touring by Sophie GarrodLeave a Comment

Touring – reviewed at New Theatre, Cardiff

Other than previously hearing a few songs from the soundtrack, and knowing that the show was “Sesame Street for adults”, I knew nothing about Avenue Q, so essentially went in blind to see it.

I left the theatre with a huge smile on my face and tears nearly running down my cheeks as I thoroughly enjoyed this brilliant, naughty and outrageously funny show.

The plot mainly follows our principle character, Princeton, as he moves to Avenue Q with a BA in English in search of his purpose in life. Along the way he meets and makes friends with Kate Monster, Christmas Eve, Brian, Rod, Nicky and Trekkie Monster, and we follow their journey together.

The plot, were it not for the puppets, is a very cheesy, tongue in cheek one, but the addition of the puppets, adult humour and the Bad Idea bears makes it the classic show that so many have seen and loved.

Playing both Princeton and refusing-to-come-out-the-closet Rod is Lawrence Smith who is utterly brilliant in every way. It took me a while to realise he was playing both roles, as he managed to portray both physically and vocally different to one another. Similarly, Cecily Redman plays both Kate Monster and Lucy The Slut, in such ways that the characters are very easily defined differently.

Redman definitely improved as time went on during the show, as during the opening number I wasn’t sure if her mic kept cutting out or she was faltering, but by the end of the show, and especially during her solo ‘There’s A Fine, Fine Line’, you couldn’t fault her.

Tom Stedon as Nicky, Trekkie Monster and one of the two Bad Idea bears, along with Megan Armstrong as the other, are similarly brilliant – especially at alternating between the characters he was playing.

I thoroughly enjoyed both Nicolas McLean‘s and Saori Oda’s performances as Gary Coleman and Christmas Eve respectively, and Shadenfreude by McLean was possibly my favourite song in the show. While Oda gave a great performance, I did struggle to understand some of what she said at times.

The character of Christmas Eve is Japanese and is very stereotypically written for comedic effect – of which it is brilliant. However, I found that Oda’s diction at times was too incomprehensible to understand her fully, which was a shame because all three disciplines of acting, singing and dancing were otherwise great. I also struggled to understand Armstrong and Stedon as the Bad Idea Bears at times which was also disappointing.

Saori Oda as Christmas Eve in Avenue Q

The cast was completed by Oliver Stanley as Brian, and Jasmine Beele, Chloe Gentless, Robbie Noonan and Ellis Dackombe in the ensemble.

What I found exceptional about the show was all the character’s abilities to change puppets so seamlessly, and the way each actor moved in perfect time with their puppet to truly bring it to life. Every detail was thought about, from the way a head tilts down ever so slightly to convey disappointment, or the way the mouth gets wider in astonishment, and for this I truly commend the actors and directors for making this so slick.

The humour is definitely the biggest selling point of the show, with songs such as You Can Be As Loud As The Hell You Want, When You Ruv Someone, Everyone’s A Little Bit Racist, and My Girlfriend Who Lives In Canada, having me truly laugh out loud – and the rest of the audience too. The lyrics, script and direction all work together to produce a show that is genuinely funny for an adult audience. Comedy is not often my favourite genre of theatre, but Avenue Q is something else altogether.

Trekkie Monster in Avenue Q

As well as the humour, I was also surprised how emotional I became at the lives of these little puppets on Avenue Q; a brilliant show all-round. This show has everything, and other than a lack of understanding at times from some of the characters, I loved it.

Avenue Q is playing at the New Theatre in Cardiff until 22 June, before heading to Glasgow, Sunderland, Nottingham and more.

Book tickets for Cardiff now!

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Sophie Garrod on InstagramSophie Garrod on RssSophie Garrod on Twitter
Sophie Garrod
Sophie Garrod has loved the theatre since a very young age and always loved to write. Whilst studying journalism, media and cultural studies at Cardiff University, she set up her One Woman West End Show website. She also now works at a theatre, so has insights into how theatres operate and how shows are produced. She writes reviews, as well as opinion pieces that are light-hearted and those that tackle more serious issues such as disability and race in theatre.
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Sophie Garrod on InstagramSophie Garrod on RssSophie Garrod on Twitter
Sophie Garrod
Sophie Garrod has loved the theatre since a very young age and always loved to write. Whilst studying journalism, media and cultural studies at Cardiff University, she set up her One Woman West End Show website. She also now works at a theatre, so has insights into how theatres operate and how shows are produced. She writes reviews, as well as opinion pieces that are light-hearted and those that tackle more serious issues such as disability and race in theatre.

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