King’s Head Theatre, London – until 6 July 2019
Robert Khan and Tom Salinsky could have come up with a more creative title for their acclaimed political comedy Brexit – but they didn’t really need to, given that actual Brexit has been a massive satire in and of itself for some time now. Nor did the writers have to stray very far from the facts; the play that was topical during its previous run at the King’s Head a few months ago is now, in the week that the horror show known as the Tory leadership contest officially got underway, basically just mirroring reality.
It’s 2020, and Britain has a new prime minister – who’s somehow managed to get elected by Conservative party members despite having no policies, no backbone and, naturally, no clue how he’s supposed to deliver the impossible dream that is Brexit. Fully aware that whatever he does he’ll be crucified by one side or the other, Adam Masters (David Benson) opts for what he deems a foolproof strategy: do nothing, and hope it all goes away – much to the dismay of his campaign manager turned unofficial policy advisor Paul Connell (Adam Astill). It never occurs to the new PM, as he plays rival ministers Diana Purdy (Jessica Fostekew) and Simon Cavendish (Thom Tuck) off against each other, that they might just have plans of their own…
Much like its central character, the play doesn’t attempt to rehash the referendum, focusing instead on the thing we can all agree on: that British attempts to implement the Will of the People have, so far, been less than successful. Khan and Salinsky – who also directs – expose Leavers and Remainers alike as power-hungry and manipulative, and more than willing to cheerfully prioritise their own ambitions above the needs of the country they claim to serve.
Meanwhile the EU’s chief negotiator Helena Brandt (Margaret Cabourn-Smith) is sitting back with a glass of wine and a (metaphorical) bucket of popcorn, waiting for the Brits to stop in-fighting and realise it’s all been a terrible mistake. It would be hilarious if it wasn’t so depressingly on the money.
And this is where Brexit hits a bit of a snag; when truth is even more ridiculous than fiction, it takes a bit of the joy out of laughing at it. The priggish new Trade Secretary Simon Cavendish is a brilliant piece of comedy acting from Thom Tuck – but somehow, stunningly, this character still ends up feeling like a watered down version of real-life caricature Jacob Rees Mogg. And while it’s fun to watch Benson’s Adam scurry back and forth trying to keep all his plates spinning, we’ve been watching Theresa May do the same with increasing desperation for two years now, so it’s no particular surprise when it doesn’t end well.
But maybe I’m being a misery (thinking about Brexit does tend to have that effect, after all). For all that it can’t live up to the absurdity of real life, the play is very funny, with a polished cast expertly delivering such zingers as “You can’t continue to govern over Schrodinger’s Britain”, and the particularly well received “that bearded Labour Gandalf driving his motor-home up Downing Street”. For fans of political satire, Brexit (the event – if you can call something that never actually happens an event) has already provided countless hours of entertainment, and Brexit (the play) continues to prove that sometimes, there really is nothing left to do but laugh.
Brexit is at the King’s Head Theatre until 6th July.
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