Broadway’s current production’s cast recording brings Alan Jay Lerner and Fredrick Loewe’s glorious score for My Fair Lady beautifully to life.
We should celebrate the fact that within the space of a year London has played host to stagings of not one but two Sondheim masterpieces that have all but redefined them in theatrical terms: Company and Follies.
From Coldplay to Claude Debussy, crossover soprano Justine Balmer’s debut album Simple Thing is a collection of songs that work well together.
A pair of dreamy album reviews with Matthew Croke’s Only Dreaming & Anna O’Byrne’s Dream.
I’m not quite sure how I managed to miss Hadestown at the National Theatre before it transferred to Broadway, where it has picked up 14 Tony Award nominations.
Musically, Girlfriends is a richly diverse score that is beautifully delivered by the London Musical Theatre Orchestra and the cast performances on this album.
Tina: The Tina Turner Musical is a cast recording that’s worth listening to whether you’ve seen the show or not, as you can absolutely appreciate the performances & musicianship – and it’s definitely one for Tina Turner fans to add to their collection. Remarkably, it’s almost like listening to Tina herself.
Whilst What’s Inside: Songs from Waitress isn’t a vital piece for your collection, it’s definitely something that the more enthusiastic fan should wrap their ears around.
Featuring some gorgeous arrangements and powerful vocals, this cast recording of Tina – The Tina Turner Musical is well worth listening to.
In Joyce DiDonato’s album Songplay we have the epitome of what we Brits call a ‘Marmite’ experience with elements to love and/or loathe whether or not you buy the concept in the first place.
Classical-crossover artist Joanna Forest takes us through a day in the life of a child with her enchanting new album The Rhythm of Life.
We continue our Featured Content series around Eleanor of Aquitaine: Mother of the Pride, now released on audio care of Tara Theatre and B7 Media. Watch these video snippets of 92-year-old Eileen Page’s ‘herstoric’ and regal performance in the one-woman play that she’s made her own – and then get ordering!
Eileen Page first played Eleanor of Aquitaine in 1964, but it wasn’t until many years later, when she was 70, that she first laid claim to the one-woman play that has so firmly associated her with the role. Have a look at and listen to our interview with her as that legendary performance is now released on audio by B7 Media.
Album Review: Combining the music from classic and contemporary musicals, Behind the Curtain – Broadway Composers & Lyricists Sing Their Songs is fascinating and insightful.
“A superlative performance”. For over twenty years, Royal Shakespeare Company veteran Eileen Page became firmly associated with Eleanor of Aquitaine, thanks to Catherine Muschamp’s one-woman history play. Page gave her final stage performance in the role last year at Tara Theatre. As that legendary performance is now released on audio by B7 Media, here’s a snapshot of what critics say.
Royal Shakespeare Company veteran Eileen Page gave her final stage performance last year at Tara Theatre, reprising her legendary performance in one-woman history play Eleanor of Aquitaine. Tara Arts has teamed up with independent producer B7 Media to release an audio version of Page’s performance, now available to purchase on CD and digital download (priced £9.95).
Webborn and Finn’s cracking new musical The Clockmaker’s Daughter receives a delectable cast recording treatment that features the likes of Ramin Karimloo, Hannah Waddingham, Christine Allado and Fra Fee.
Buffy The Vampire Slayer star and Instagram sensation Tom Lenk will be one of the biggest stars at this year’s VAULT Festival when he stars in the hit comedy Tilda Swinton Answers an Ad on Craigslist. The play, which is already a hit in the US, runs from 6-16 February 2019 at the Waterloo venue.
The success of Six The Musical continues with a West End booking extension to 5 January 2020, the announcement of the show’s first US production in Chicago and the musical’s studio album being named as the Best UK Cast Recording in The Curtain Up Show Album of The Year Awards.
Renée Fleming’s choices are shrewd and wide-ranging in her Broadway album, embracing the contemporary and the classic in pretty much equal measure whilst demonstrating that style in this repertoire probably has more to do with attitude than technical adjustment. More, but not all.