Intelligently conceived and handsomely staged, David McVicar’s production of Così fan tutte matches elegance and wit with the simple pleasure of Mozart’s heavenly music.
Verdi’s richly melodious tragedy glistens again as Opera Australia returns its much loved Moshinsky staging of Rigoletto to the Melbourne stage.
Given the resources regularly lavished on revivals of international classic plays, this season of modern Australian classic Così is as welcome as it is deserving.
An all too rare independent musical theatre production, the new Australian staging of Barnum sees Todd McKenney embrace the chance to play iconic huckster P. T. Barnum.
Opera Australia complements their dazzling new outdoor production of West Side Story in Sydney with the return of this traditional staging to Melbourne, differentiating the casting by showcasing a new generation of fresh young triple threats in this (indoor) Australian tour.
Imaginatively conceived, ingeniously written and lavishly produced Muriel’s Wedding is surely the most impressive original musical ever created in Australia. Brimming with imagination, inspiration and joy, Muriel’s Wedding is compulsory viewing for all lovers of musical theatre.
A brilliant choice for the first musical to be presented as the annual Handa Opera on Sydney Harbour, West Side Story is given lavish, large scale treatment in what is essentially a highly respectful, traditional production.
As witty as it is romantic, the Australian Ballet’s characterful production of Cinderella makes an unplanned yet very welcome return visit to Melbourne, showcasing the glorious partnership of married principal artists Ako Kondo and Chengwu Guo.
Stripped raw and utterly lean, the new Melbourne Theatre Company production of A View from the Bridge thrives on the strength of its compelling characters and elegantly spare language, hurtling towards its shocking, yet inevitable climax.
Newcomers to Jersey Boys are sure to enjoy the memorable music and terrific stage talent. Those who have seen the show (possible more than once) may be harder to coax back, but the performance of Ryan Gonzalez is certainly a compelling attraction.
Charlie and the Chocolate Factory is a magical and enchanting moral tale of kindness prevailing, wrapped up in an eccentric, sugar coated world of imagination
Far from a mere indulgence in nostalgia, or, worse, a cynical money grab, Harry Potter and the Cursed Child is a compelling, amusing, intriguing and affecting play, featuring ingeniously creative staging that surpasses what could previously be described as world class.
In presenting this long overdue Melbourne premiere season of Parsifal, Victorian Opera gives Wagner’s final opera an intelligently conceived, splendidly-performed production.
Trouble is, engagement needs a theme, and while A Midnight Visit is entirely Poe-faced with references to Edgar Allan’s works, you’d need more than a passing familiarity with both Fall of the House of Usher and The Pit and the Pendulum to make sense of the staged scenes or the extracts shouted at you by the acting madmen.
Melbourne Theatre Company begins the new year with a showcase for revered actress Miriam Margolyes who takes on the cantankerous title character in Alan Bennett’s The Lady in the Van.
With confidence and polish that cover all aspects of production, Melbourne Opera takes on another Wagner opera The Flying Dutchman with further success.
An ideal choice for an Off-West End season, Violet features an exceptional lead performance from Kaisa Hammarlund.
With physical humour, highbrow theatrical humour, lowbrow theatrical humour, musical theatre moments, live stunts and more, Peter Pan Goes Wrong is highly recommended for fun-loving families of all ages.
In much the same way that the history of Broadway is peppered with legendary performances, years from now Australian theatregoers will ask each other if they saw Tina Arena in Evita.
Five decades into his storied career, Andrew Lloyd Webber dominated the Melbourne musical theatre scene in 2018.