Editor and founder Emma Clarendon selects some of her favourite pieces that she has written for Love London Love Culture this year.
West End star Ria Jones and Broadway powerhouse Justin Matthew Sargent are helping launch David Weiser’s new music-themed children’s book, The Boy Who Wanted to Rock.
Video designer and photographer Nina Dunn spoke to Emma Clarendon about The Dark Theatres Project and the lack of support for theatre during the Covid-19 pandemic.
Golden Toad Theatre’s Errol’s Garden project is creating opportunities for children to continue to engage with theatre and the arts from the safety of their homes, say co-directors Caroline Wigmore and Jen Green.
Part informal chat, part performance, this series of bi-weekly Sunday evening sessions is designed to support creatives in the entertainment industry during this strange and challenging time.
In the treasure hunt for the most magical theatres in the country, Amber Massie-Blomfield provides a compilation of bite-sized chunks of captivating theatrical history…
Since the COVID-19 lockdown was introduced back in March, many of us have turned to social networking apps like Skype and Zoom to stay in touch with loved ones. And now theatres and production companies are getting in on the act too, broadcasting shows…
Macbeth is one of Shakespeare’s most frequently performed plays, and it is a story filled with death, danger and prophesy.
‘Absorbing, compelling, excellent, visually beautiful’… Is it any wonder that The House of the Spirits has extended its sell-out, bilingual run at London’s Cervantes Theatre? We’ve rounded up review highlights from Mates and others below. Only a few tickets remaining.
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
By popular demand, the UK premiere of Caridad Svich’s stage adaptation of Isabel Allende’s best-selling 1982 novel The House of the Spirits has extended by a fortnight at the Cervantes Theatre, London’s home of Spanish and Latin American drama.
Actor Constanza Ruff is a big fan of novelist, and fellow Chilean, Isabel Allende. We talked to her about performing the stage adaptation of Allende’s best-known novel The House of the Spirits in both English and Spanish in a brand-new bilingual production at the Cervantes Theatre.
Three generations and 500-odd pages of Isabel Allende’s best-selling 1982 novel The House of Spirits come to life onstage at London’s Cervantes Theatre in Paula Paz’s brand-new bilingual production. Have a look at sneak-peek production photo gallery – and then get booking!
Caridad Svich’s award-winning stage adaptation of Isabel Allende’s best-selling 1982 novel The House of Spirits is now previewing at London’s Cervantes Theatre. We thumbed through the novel for a reminder of some of our favourite quotes. How many feature in the play?
“Superb”, “modern and thrilling” and “pulls out every available stop” – take a look at what audiences and critics have said about Rona Munro’s new adaptation of Frankenstein, then head to the Belgrade Theatre to catch it this week before it heads back off on tour. Book now!
Gothic, leafless trees, towering buildings, fork lightning; the design of Rona Munro’s Frankenstein is an Halloween treat full of theatrical tricks. Take a look at these fantastic production photographs, then book your tickets!
As actor Eilidh Loan prepares to brings Frankenstein to Coventry’s Belgrade Theatre, she talks about her first connection with the story, discovering more about Mary Shelley and overcoming a fear of reading created by dyslexia. Have a listen, then book your tickets!
There are no bolts in sight; the monster in the new touring version of Frankenstein is made with pen and paper. Get a glimpse of its creation, and the action coming together, in these rehearsal images, then book your tickets.
Mary Shelley, who thought up Frankenstein when she was just 18 years old, will appear on stage alongside her famous creation in a new adaptation of her novel coming to the Belgrade Theatre this autumn as part of a UK tour. Time to book your tickets for what’s sure to be a monster hit.
Not Exactly Billington has set themselves a challenge to read a new (to them) playtext every week. In August, their #ReadaPlayaWeek titles included John Osborne’s Luther, Christopher Shinn’s Dying City, Abi Zakarian’s This is Not an Exit, E.V. Crowe’s I Can Hear You, and Alice Birch’s Revolt. She said. Revolt again.