Following an award-nominated run at the Brighton Fringe earlier this year, Blue Devil Productions’ dark romance The Geminus comes to London’s Tristan Bates Theatre as part of the Camden Fringe 2019. Book you tickets now!
I am gradually amassing quite a pile of books about writing plays. Collecting and reading them is probably a displacement/procrastination activity. One of these days I really am (or so I keep telling myself) going to write a play. Just don’t ask me when.
Kenneth Lonergan’s 2009 play The Starry Messenger has opened at the Wyndham’s starring Matthew Broderick and Elizabeth McGovern. Longergan’s work has enjoyed a series of Tony-nominated revivals in New York over recent years.
Not Exactly Billington has set themselves a challenge to read a new (to them) playtext every week. In May, their #ReadaPlayaWeek titles included Tarell Alvin McCraney’s The Brothers Size, Roy Williams’ interpretation of Antigone, Olwen Wymark’s Find Me, Michaela Coel’s Chewing Gum Dreams, and Kenneth Lonergan’s This is Our Youth.
As a theatre critic/interested person, I really like it when the theatre programme I’m issued with is also the text of the new play I’m seeing.
Not Exactly Billington has set themselves a challenge to read a new (to them) playtext every week. In April, the #ReadaPlayaWeek titles included Valerie Windsor’s Effie’s Burning, Rose Leiman Goldemberg’s Letters Home, Maureen Duffy’s Rites, and Claire Luckham’s Trafford Tanzi.
Not Exactly Billington have set themselves a challenge to read a new (to them) playtext every week. In March, their #ReadaPlayaWeek titles included Lisa Evans’ Stamping, Shouting and Singing Home, Marie Laberge’s Night, Owen Sheers’ Unicorns, Almost and Adam Barnard’s buckets.
If you work with under-18s developing performance skills (along with confidence and all those other useful transferables) then Samantha Marsden’s new book is likely to be very helpful.
It’s a #ReadaPlayaWeek: featuring Laura Wade’s Breathing Corpses; Adult Child/Dead Child (1987) by Claire Dowie; Thatcher’s Women by Kay Adshead; and Superhoe by Nicôle Lecky.
For three years, #ReadaPlayaWeek was a, well, weekly feature of our blog. Starting out as a way to familiarise myself more with the canon, long-established and establishment writers were a regular feature.