Illuminating about both the craft of acting and the glorious show that is Hamilton, Giles Terera’s book Hamilton And Me takes the reader on a whirlwind journey through what was clearly an incredibly important period in the performer’s life.
In Hamilton and Me, Giles Terera shares his personal story and relationship with Hamilton and his character, Aaron Burr. It covers how he auditioned for the role of ‘the villain’ and the journey he went on in order to understand and embody him on stage.
Michael Pickering will be starring as gamekeeper Mellors in new musical Lady Chatterley’s Lover which plays at the Shaftesbury Theatre on 18 and 19 June 2021. I caught up with Michael to find out more about his latest role.
Award-winning comedian Adam Kay will be sharing entries from his diaries as a junior doctor in an “electrifying” evening of stand-up and music, Adam Kay – This is Going to Hurt (Secret Diaries of a Junior Doctor), running at London’s Palace Theatre from 21-26 June 2021.
Producers Playful Productions and the Royal Shakespeare Company have announced that the third and final novel in the Wolf Hall trilogy, The Mirror and the Light has been adapted for the West End stage. The world premiere will run at London’s Gielgud Theatre from 23 September for a strictly limited season until 28 November, with an opening night on 6 October.
Written by Justin Butcher, Scaramouche Jones or the Seven White Masks is the latest digital production from Ginger Quiff Media, the team behind the recent revivals of Rose and Little Wars, and tells the story of a tragic clown whose life has been shaped by misfortune.
Editor and founder Emma Clarendon selects some of her favourite pieces that she has written for Love London Love Culture this year.
West End star Ria Jones and Broadway powerhouse Justin Matthew Sargent are helping launch David Weiser’s new music-themed children’s book, The Boy Who Wanted to Rock.
Video designer and photographer Nina Dunn spoke to Emma Clarendon about The Dark Theatres Project and the lack of support for theatre during the Covid-19 pandemic.
Golden Toad Theatre’s Errol’s Garden project is creating opportunities for children to continue to engage with theatre and the arts from the safety of their homes, say co-directors Caroline Wigmore and Jen Green.
Part informal chat, part performance, this series of bi-weekly Sunday evening sessions is designed to support creatives in the entertainment industry during this strange and challenging time.
In the treasure hunt for the most magical theatres in the country, Amber Massie-Blomfield provides a compilation of bite-sized chunks of captivating theatrical history…
Since the COVID-19 lockdown was introduced back in March, many of us have turned to social networking apps like Skype and Zoom to stay in touch with loved ones. And now theatres and production companies are getting in on the act too, broadcasting shows…
Macbeth is one of Shakespeare’s most frequently performed plays, and it is a story filled with death, danger and prophesy.
‘Absorbing, compelling, excellent, visually beautiful’… Is it any wonder that The House of the Spirits has extended its sell-out, bilingual run at London’s Cervantes Theatre? We’ve rounded up review highlights from Mates and others below. Only a few tickets remaining.
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
By popular demand, the UK premiere of Caridad Svich’s stage adaptation of Isabel Allende’s best-selling 1982 novel The House of the Spirits has extended by a fortnight at the Cervantes Theatre, London’s home of Spanish and Latin American drama.
Actor Constanza Ruff is a big fan of novelist, and fellow Chilean, Isabel Allende. We talked to her about performing the stage adaptation of Allende’s best-known novel The House of the Spirits in both English and Spanish in a brand-new bilingual production at the Cervantes Theatre.
Three generations and 500-odd pages of Isabel Allende’s best-selling 1982 novel The House of Spirits come to life onstage at London’s Cervantes Theatre in Paula Paz’s brand-new bilingual production. Have a look at sneak-peek production photo gallery – and then get booking!
Caridad Svich’s award-winning stage adaptation of Isabel Allende’s best-selling 1982 novel The House of Spirits is now previewing at London’s Cervantes Theatre. We thumbed through the novel for a reminder of some of our favourite quotes. How many feature in the play?