Love London Love Culture’s Emma Clarendon take a look at what critics have been saying about Sam Gold’s production starring Daniel Craig and Ruth Negga.
Diary of a Theatre Addict returning to New York: 9 shows in 7 nights
Regular readers will know that my name is Mark and I’m an addict — a theatre addict — and much else; if you have an addictive personality, you addict to anything that makes you feel different — sex, sugar, coffee, and in my case, theatre, too.
On Broadway: Hotfooting from Six to Marlow & Moss in cabaret at 54 Below
I finally caught SIX’s Broadway incarnation. And I made a night of it: since the show runs for just 70 minutes, I was able to hotfoot it after to see Toby Marlow and Lucy Moss, its co-authors and creators, in a cabaret at 54 Below.
What won’t now come to pass: Stephen Sondheim was in the midst of writing a new musical
Stephen Sondheim – Broadway’s musical theatre’s greatest innovator and powerhouse over the last seven decades – left us, after 91 years, in the midst of writing another new musical that he revealed only weeks ago.
My highlights from 20 shows seen over 13 nights in New York City
Here’s the final tally from my recent trip to New York City: across 13 nights, I saw 20 shows in all – 11 of them on Broadway, 8 off-Broadway, one in a cabaret room.
Princess Diana endures another fatal car crash on Broadway
As if the late Diana, Princess of Wales, didn’t suffer enough in her short life and sudden, violent death, here she is as the title character and subject of a new Broadway musical, being exploited all over again.
‘Didn’t I want to see it unfiltered by the opinions of others?’: Mark Shenton explores critical opinion and its influence on perception
One of the pleasures — but also the risks — of being a theatre critic is that you come first to a new production, ready to form your own opinions on what you’ve seen, before you’ve already encountered or digested the opinions of others.
NEWS: Moulin Rouge is the big winner at the Tony Awards & there is British success for A Christmas Carol & The Inheritance
Moulin Rouge! The Musical triumphed in 10 categories at the 74th Tony Awards, including being named Best Musical, but there was also British success, with Rob Howell and Hugh Vanstone winning awards for their design work on the Old Vic’s A Christmas Carol (5) and Stephen Daldry named Best Director for his staging of Matthew Lopez’s The Inheritance (4), originally at London’s Young Vic Theatre before its West End transfer.
Are theatres taking Covid safety provisions seriously enough?
I recently wrote to every major theatre chain in London to ask to see their COVID safety risk assessments and ventilation plans.
The bittersweet unfinished theatre business of Covid
Last week saw Paula Vogel’s Indecent finally open officially at the Menier Chocolate Factory, a year and a half after previews had begun, for the UK premiere of Rebecca Taichman’s Tony-winning original production.
‘A feelgood triumph?’: Mark Shenton finds out what critics thought of Back To The Future, a West End premiere not without drama
Although this newsletter officially remains on hiatus and will resume publication on Monday 20 September, I’m interrupting my time on the beach for a second time to deliver this bulletin with the reviews of Back To The Future that opened officially at the West End’s Adelphi Theatre on Monday.
The West End needs to take the the Covid threat seriously
American Actors Equity are requiring actors and crew to be fully vaccinated as a condition of work. Again, in the UK, SOLT and Equity are not requiring this. Regular testing is deemed sufficient.
‘Must be the most sumptuous-looking touring show of the year’: Mark Shenton gives an update on theatre openings including the Bedknobs & Broomsticks tour
A new touring stage version of the 1971 Disney film Bedknobs and Broomsticks held a national press night last Friday at Canterbury’s Marlowe Theatre, after previewing beforehand at Newcastle Theatre Royal. The tour is currently booking to May 2022.
As more West End shows have to cancel shows, industry figures respond to ‘inadequate’ Government insurance scheme
Though theatres are now operating at full capacity (if they choose to) — and audiences are wearing masks only if they choose to, as well — there is a great deal of uncertainty, as performances are being routinely suspended at the very last minute if a cast member proves positive or has come into contact with someone who has.
‘Teenage angst in the bathroom… & classroom’: BE MORE CHILL – Shaftesbury Theatre / HEATHERS – Theatre Royal Haymarket
There comes a point in every lifelong theatre lover’s career when you suddenly wake up and wonder: am I simply too old for this? Ben Brantley, former chief critic of the New York Times, hit this particular critical nail on the head when he ended his review of the 2018 Off-Broadway summer run of the cult musical Be More Chill (before it was propelled to Broadway in turn) by advising: “It may be helpful to think of this bounding, exhaustingly enthusiastic puppy of a show as the theatrical equivalent of one of those high-pitched dog whistles that only those under 25 can hear.”
For work or pleasure? Respecting the etiquette of being a critic
Audiences go to the theatre for pleasure, not work; critics need to remember that their work is someone else’s pleasure.
From Cinderella to the Court: Mark Shenton reflects on another eventful week in the theatre calendar
The week began with Andrew Lloyd Webber being mentioned by Boris Johnson, as he extended the lockdown from the originally hoped-for ‘Freedom Day’ of 21 June to 19 July, at which point theatres may be able to reopen without social distancing in place;
So another delay to the ‘cautious, irreversible’ roadmap out of lockdown: It’s beginning to feel like Groundhog Day
In what is becoming a wearyingly predictable cycle, Boris Johnson’s latest failure to act fast enough to lockdown the country from the arrival of what is now known as the Delta variant of Covid, which originated in India, has resulted in it becoming the dominant strain of the virus in Britain — with the added problem that it is much more easily transmissible than previous strains.
The sooner theatres follow the Wembley sporting protocols on vaccine passports the better
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The post June 10: Should Covid passports be required to go to the theatre? first appeared on Shenton Stage.
NEWS: National Theatre’s reopening programme includes new musical co-written by Rufus Norris & the return of playwright Alecky Blythe
The National Theatre has announced its programming until the start of next year with productions on all three South Bank stages as well as three major UK tours, two productions on Broadway, a return to cinemas, and a new feature film to be broadcast on television this autumn.