Guildford Shakespeare Company first performed their adaptation of Kenneth Grahame’s classic in 2015. After a successful series of Zoom murder mystery evenings, they decided to recreate their hit family production.
The Old Vic Theatre has announced details of “Your Old Vic”, a programme of creative, fun and inspiring events, projects and content to keep the theatre connected with audiences, and audiences connected with each other. It will include streaming of video archives of productions, starting with A Monster Calls next month.
This lovely musical based on David Walliams’ children’s book is filled with fun and mischief.
It’s a brilliant piece of theatre which will no doubt capture the imagination of anyone interested in space, and is one of those shows which genuinely works as well (if not better) for the adults as it does for the kids.
The Polar Bears Go Up sees the Polar Bears off on an adventure to rescue a balloon, utilising multiple inventive methods of transport to climb higher and higher until, eventually, they end up in space.
I, Malvolio is Tim Crouch’s retelling of Shakespeare’s Twelfth Night through the eyes of the blighted and picked-upon puritan, Malvolio. It’s the fourth time Crouch has written such an adaptation, which he hopes will “unlock Shakespeare for young audiences”.
In this article, we’ll be rounding up everything that’s available for families to live-stream to their living room.
Winners of the Offies 2020 Awards, held at Battersea Arts Centre, have been announced. It was the tenth anniversary year of the awards presented by Off West End.
“Long live the magnificent six!” Critics have quickly taken up the beat for Pilot Theatre’s beatbox adaptation of Alex Wheatle’s award-winning YA novel Crongton Knights. We’ve rounded up review highlights below. Time to get booking – it’s at Belgrade Theatre this week and then on tour.
What an adventure! As rave reviews start rolling in for the new beatbox-infused adaptation of Alex Wheatle’s award-winning 2016 Young Adults’ novel Crongton Knights, we’re loving the colourful production photos and infectious show trailer. Have a look – and then get booking!
What do you get if you bring together an award-winning YA novel, an inventive beatbox soundtrack, six courageous kids and the producing powerhouse behind 2019’s sell-out production of Noughts and Crosses? Writer and broadcaster Nick Ahad talked to novelist Alex Wheatle ahead of Crongton Knights’ stage premiere.
Oily Cart, the creators of All Wrapped Up, makes gently immersive, highly sensory performances for people under five years old, and people with complex needs.
Can you stick to the beat? Looks like it’s a prerequisite for the cast of the new beatbox-infused adaptation of Alex Wheatle’s award-winning 2016 Young Adults’ novel Crongton Knights. Sneak a peek inside the rehearsal room – and then get booking!
After The Gift this month, Coventry’s Belgrade Theatre hosts another world premiere modern play ahead of a major tour and London transfer: the physical theatre adaptation of Alex Wheatle’s award-winning 2016 Young Adults’ novel Crongton Knights, which features an original beatbox soundscape. Time to get booking!
‘There are some clever moments’: While Donna Easton is a little underwhelmed by The Cat in the Hat at the Turbine Theatre, her joyful daughter loves the show.
Oi Frog & Friends! is an entertaining, musical romp through many of the well-known rhymes from the original books with a witty script and songs which are upbeat, catchy and full of clever lyrics.
This one will get you into the Christmas spirit, guaranteed. I’m gearing up for the holidays with the hilarious duo of Dan & Jeff and their festive favourite Potted Panto, another in my series of post-show talks for producer James Seabright.
Final casting has been announced for the 2019 London Palladium Pantomime, Goldilocks and the Three Bears, which runs for a limited five-week season from 7 December 2019 to 12 January 2020.
Finn Anderson’s stunning score for Islander at Southwark Playhouse is performed beautifully by Bethany Tennick and Kirsty Findlay who pull off Amy Draper’s ingenious concept & direction seamlessly.
The Boy Who Cried Wolf, written by Mike Kenny with stage manager Kirsty Smith, sees York Theatre Royal working with Tutti Frutti once again, and they manage to put together a delight of storytelling, music, dance and acting to re-tell this well known classic tale.