“Come and see those dancing feet” is famously the tagline of 42nd Street, yet it really should be the tagline of Heartbeat of Home, which opened to rapturous applause at the Piccadilly Theatre.
Brilliantly bolstered and boosted, Stanton Welch’s new Sylvia enlivens and enhances the 1876 original for an evening of pure theatrical enchantment.
The rhythms of TS Crew’s bounding, twisting, spinning bodies in Along are timed to perfection with the music, whether boy-band synchronised or splitting into physical polyphony.
A central feature of Matt Franco’s solo piece Alpha Who? is panoramic scenography that responds to the performer. Learn more about this how this “painting in movement” is created, check out our gallery of stunning photos – and then experience it live at Camden Fringe, where the production runs at the Cockpit Theatre from 7 to 9 August only. Time to get booking!
Alpha Who?, created and performed by Matt Franco, explores what it means to be a man today at this year’s Camden Fringe, where it runs for three performances only from 7 to 9 August 2019 at London’s Cockpit Theatre. Time to get booking!
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
Columbian performer and Royal Ballet principal Fernando Montano on what moved him to create an evening of performance supporting the Marine Conservation Society, shooting incredible underwater images and an unsung hero of British theatre. Read the interview then book your tickets for Fernando Montano and Friends – Dance for the Sea.
“To be completely honest – it was a total gamble!” Studio 3 Arts Artistic Director Liza Vallance is completely honest about launching East London fringe festival Clout! last year. But it was a gamble that paid off, as Clout returns this July for another season of extraordinary theatre. Read what she told us, then get booking!
Leading Latin American dance star and Royal Ballet soloist Fernando Montano will stage Fernando Montano and Friends – Dance for the Sea, an evening of music and dance, later this month to raise both awareness and funds for the Marine Conservation Society. Book your tickets now!
Following a successful inaugural season in 2018, Barking-based fringe festival Clout! returns next month for a bigger 2019 season including 18 shows over 11 days at two venues. Book your tickets now!
I realised very quickly to believe in the critics that have described Matthew Bourne as a wonderful storyteller. Through physical movement, relationships between characters, facial expression and energy (both soft and dynamic), the beautifully tragic story of Romeo and Juliet is told.
My advice to the next generation of men and women applying for colleges is perhaps avoid the college that excels in your strength.
David Bintley’s choreography for Hobson’s Choice adeptly assists the artists to convey the story clearly, concisely, comically and is remarkable in the extreme.
A beautiful reinterpretation of the Shakespearean classic, Matthew Bourne’s Romeo & Juliet at The Lowry modernises the tale of doomed love for a new audience.
Adam Cooper and Ashley Shaw will star in the return of Matthew Bourne’s double Olivier award-winning production of The Red Shoes for New Adventures.
The Australian Ballet heads straight back down the rabbit hole, returning award-winning 2017 hit Alice’s Adventures in Wonderland to the Melbourne stage for a very welcome encore season.
The Royal Ballet is wrapping its summer season up with a trio of delightful works by three of the greatest choreographers: The Firebird / A Month in the Country / Symphony in C at the Royal Opera House.
From fluid, floaty, tender, strong, angular and jovial to grace, strength and seamless instinctive precision, that’s BalletBoyz’s Them/Us at the Vaudeville Theatre.
I was a little late to the party in respect of Vladimir Jurowski’s scintillating new recording of the original 1877 version of Tchaikovsky’s Swan Lake with the State Academic Symphony Orchestra of Russia (Yevgeny Svetlanov’s orchestra) but I’ve been much absorbed by it, thrilled by it.
Whether you’re a contemporary-dance-curious newcomer or a die-hard fan of Maliphant’s exquisite vision and choreography, Silent Lines is a beautifully serene though sharply executed performance.