Garry Roost’s play Warhol: Bullet Karma focuses on the events around his shooting by Valerie Solanas (this ground was covered from a more feminist perspective in Femme Fatale).
Arthur Smith pays homage to his (extra) ordinary Dad in Syd which premiered at 2018’s Fringe and is now an online show recorded at Falmouth and being streamed via the Pleasance.
The real life figure of Ed Gein looms large in horror films and literature. Most famously he was the direct inspiration for Norman Bates in Psycho and his terrible influence can also be found haunting The Texas Chainsaw Massacre and Silence Of the Lambs. But I’m not sure his real story has been told quite so directly as it is in Under The Floorboards which played live at the Edinburgh Fringe and has now emerged as an online performance film at this year’s Festival.
Lost in Love is a new play presented by Flow Stage Productions. A brash and funny lady, Emily (Rachel Pryde) has something to tell about her life and the men in it.
What does it mean to have “It All?” I am not sure the answer to that question can ever be answered as it means something different to everyone. Cameron Cook raises this point several times throughout his debut solo show It All.
Bette Davis Ain’t For Sissies (the title refers to a Davis quote of some years later about old age) references the women’s lot in the Golden Age of Hollywood – exploitative auditions, unequal pay (a topic still current in movies in the 21st century), a string of love affairs, the expectation to look ‘just so’.
Till Love Do Us Part isn’t one of the flashiest productions on the digital fringe in terms of its technical style, but the writing carries it through.
Over on the ZOOTV platform at the Edinburgh Festival Fringe, you’ll find Planet of the Grapes, a delicious livestream performed live in New York City. I’m told that on Sunday the city was being battered by a hurricane, but it didn’t seem to cast a shadow on the show.
Dante Gabriel Rossetti’s raunchy, eccentric and outrageous sex life has been written and brought to the stage by writer and director Joan Greening in Rossetti’s Women.
A warm and entertaining solo play, Lila Clements’ Look, No Hands has some distinctive features which marks it out from many other confessional shows of a similar type.
Written and performed by Rachel E. Thorn, Lovefool makes nostalgia a fun treat for those who can take hints involving pop music lyrics and a magazine’s cringe sections. If that’s you, this show will tell you what you want, what you really really want.
The atmospheric setting for 1902 has been set in a disused arches space in an industrial area of Leith. It’s a bit off the Fringe beaten track but I can assure you it’s well worth the trip.
Welcome to the Madhouse, a place of chaos and confusion, typical of student house-sharing. A group of six friends gives a bittersweet glimpse of early adulthood, a path as messy as the kitchen table around which they party, study, and share their stories.
Australia’s digital destination for live performance, Black Box Live, is now broadcasting shows from Adelaide’s Bakehouse Theatre via the Edinburgh Festival Fringe straight into audiences’ homes. Full details of the five, carefully selected productions here.
Two Adelaide Fringe stalwarts are causing a stir online at this year’s Edinburgh Fringe with their hybrid live/digital season of five critically acclaimed Australian shows, broadcast care of Black Box Live from Adelaide’s Bakehouse Theatre.
Two well known tales with a twist: The Little Glass Slipper As Performed By The Queen of France And Her Friends and Metamorphosis. The second piece now tops my personal Edinburgh Fringe online chart.
Nuworks Theatre, from Australia, bring their lively and passionate musical (written, directed and designed by David Dunn, with choreography by Meg Dunn) about the fight for women’s suffrage to the Edinburgh Festival Fringe, and Suffragettes is an impressive addition to the work around this topic (see also, Sylvia, a musical WIP which ran at the Old Vic a few years ago).
Award-winning Organic Theatre returns to Edinburgh Fringe for a digital world premiere of their new pandemic-inspired show Flanker Origami, which finds the founders stranded on Zoom, streaming for one week only.
Packed with expletives and off-colour observations, Afterparty from New Celts Productions and F-Bomb Theatre at theSpace’s Triplex theatre pulls no punches in its humorous but bitter-sweet story set in small town Scotland.
East Belfast Boy intrigues from the first frame, and lends itself perfectly to the new format, redefining the boundaries between disparate art forms.