Health Under Fire is a fast-paced comedy. It could be described as Monty Python meets An Inspector Calls or somewhere in the realm of the Zucker, Abrahams and Zucker spoof comedy films of the 1980s; think Airplane and The Naked Gun and you’re almost there.
How do you cast a new musical that requires a cast of parrots and penguins? After 14 years of casting films, TV dramas and plays, seasoned casting director Stephen Moore makes his musical theatre casting debut with Love Birds, a family musical by Robert J Sherman (son of Robert B Sherman of the Sherman Brothers fame) which premieres at next month’s Edinburgh Fringe.
Jonathan Maitland’s AN AUDIENCE WITH JIMMY SAVILE, which recently broke the all time box office and attendance records at Park Theatre in London, and is playing there until 11 July 2015, will transfer to the Edinburgh Festival Fringe from 11 to 22 August 2015.
4 x 4 Ephemeral Architectures invites two beautiful, but integrally different, art forms to share a stage for the first time. Directed by internationally renowned juggler Sean Gandini and with choreography by Royal Ballet dancer Ludovic Ondiviela, Gandini Juggling return to The Lowry to collaborate with classical ballet dancers.
Fridays aren’t serious reviewing nights and the friend who suggested this piece to me described it as “some shit for gays” which despite our shared and enthusiastic homosexuality is the shorthand we use for frothy-to-filthy comedies of the sort often presented at venues in Vauxhall. But the King’s Head was on the way to a nice restaurant, so what the hell, and it’s a preview for the Edinburgh Fringe which may save me the bother of two urticarious weeks in midge-ridden Scotland.
Newcastle based company, associate artists at Northern Stage and Edinburgh Fringe 2014 favourites, The Letter Room are bringing their new show Five Feet in Front to the Lowry Studio next week. The Letter Room will debut Five Feet in Front…
With August looming over the horizon, there comes a time when the critic needs to harden up, sit on some prickly astroturf leaning on a dustbin, eating a falafal wrap and staring up forebodingly at an enormous upturned purple inflatable cow. Just to remember that it’ll soon be time to brace up for the Edinburgh Fringe. Luckily, London has its own Udderbelly season now, with every kind of oddity and adventure and show-off and physical-theatre explosion. So down I went to see the Circus Geeks explain the nature and psychology of juggling.
Publication of Call to Action:
Desire Lines, Edinburgh’s city-wide conversation about the cultural and creative future of Edinburgh, concludes today with the online publication of its Call to Action.
✭✭✭✭✩ A bigger splash:
Diving into a world she makes so real that you can’t tell where her story ends and reality begins, Alice Mary Cooper tells the tale of Elizabeth Moncello – creator of the Butterfly stroke.
The Forbidden Broadway actors, winners of the inaugural #AlsoRecognised Award for Best Ensemble Performance, are gifts that keep on giving. First we had Damian Humbley‘s multiple #certificateselfies, including the famous Superman semi-nude one (steady, ladies … and lads). Then Anna-Jane Casey sent us her naked #certificateselfie …. and then we got a pair of them from Christina Bianco, such a …
As part of my recent Festival Highlights Challenge, I had the pleasure of meeting – and, for 24 hours, effectively stalking – Sarah Quinney at the Edinburgh Fringe. Sarah is a Technical Stage Manager for Festival Highlights, one of the Fringe’s most prolific and consistent theatre producers. Every day from 30 July to 25 August […]
I had photographer company in the form of other half Peter Jones for part of my Festival Highlights visit to this year’s Edinburgh Fringe. If a photo is worth a thousand words, you’ve got a might heavy tome to enjoy with the two picture galleries below. Out and about in Edinburgh at Fringe time Scenes […]
This year, I’m returning from Edinburgh just at the time I would normally be heading up… And that’s not the only difference in my festival going. 2014 has been a year of many Fringe firsts for me: 1. The first time I’ve reported on the Fringe from the shows’ rather than the media perspective. I’ve […]
In London, five shows a week is a serious haul. In Edinburgh, that’s small fry. When I was reviewing in Edinburgh, I could easily do twice that in a day. This year, this week, I’m experiencing the festival from a different perspective. I’ve been working with producer James Seabright and Festival Highlights, guest-editing content on […]