THE RHINESTONE COWGIRL RIDES AGAIN I first saw this cabaret-theatre character here in 2002, drawn by curiosity because the theme was “Tina C’s Twin Towers Tribute”. Under a year on, it could have been the car-crash acme of Fringe tastelessness. … Continue reading →
Gilded Balloon, Edinburgh Festival Fringe; 8th August 2015 Something is a comic flickbook of everyday fantasy, presented by Italian company Liberi-Di. The seven performers each have a natural humour in their presentation, and excellent physical technique – including superb tricking skills that, somehow, always seem cooler than the traditional acrobatic repertoire. I am transfixed for […]
Almost 20,000 people witnessed the opening event of this year’s Edinburgh International Festival when The Harmonium Project lit up the outside of the Usher Hall.
Designed to celebrate 50 years of the Edinburgh Festival Chorus, the free outdoor animated performance saw artworks designed by 59 Productions projected onto the hall, in synchronisation with John Adams’ mesmerising choral work Harmonium.
How do you cast a new musical that requires a cast of parrots and penguins? After 14 years of casting films, TV dramas and plays, seasoned casting director Stephen Moore makes his musical theatre casting debut with Love Birds, a family musical by Robert J Sherman (son of Robert B Sherman of the Sherman Brothers fame) which premieres at next month’s Edinburgh Fringe.
4 x 4 Ephemeral Architectures invites two beautiful, but integrally different, art forms to share a stage for the first time. Directed by internationally renowned juggler Sean Gandini and with choreography by Royal Ballet dancer Ludovic Ondiviela, Gandini Juggling return to The Lowry to collaborate with classical ballet dancers.
Fridays aren’t serious reviewing nights and the friend who suggested this piece to me described it as “some shit for gays” which despite our shared and enthusiastic homosexuality is the shorthand we use for frothy-to-filthy comedies of the sort often presented at venues in Vauxhall. But the King’s Head was on the way to a nice restaurant, so what the hell, and it’s a preview for the Edinburgh Fringe which may save me the bother of two urticarious weeks in midge-ridden Scotland.
With August looming over the horizon, there comes a time when the critic needs to harden up, sit on some prickly astroturf leaning on a dustbin, eating a falafal wrap and staring up forebodingly at an enormous upturned purple inflatable cow. Just to remember that it’ll soon be time to brace up for the Edinburgh Fringe. Luckily, London has its own Udderbelly season now, with every kind of oddity and adventure and show-off and physical-theatre explosion. So down I went to see the Circus Geeks explain the nature and psychology of juggling.