So many amazing inspiring potential entrepreneurs have been in the room at Chris Grady’s workshops, networks and CGO Institute events, but now I want to look out for a much broader ‘audience’ of people who have never come across one of my workshops or networks
Access All Areas (AAA) and the Royal Central School of Speech and Drama (Central) are once again offering life-changing opportunities for performers to join their award-winning Performance Making Diploma for Learning Disabled and Autistic Adults.
The winners have been announced for the annual National Campaign for the Arts’ (NCA) Hearts for the Arts Awards 2021. The awards celebrate the unsung heroes of local authorities who are championing the arts against all odds.
Mark Shenton welcomes headlines featuring Stratford East, the National, the British Library and community involvement from Waterloo to Wales.
It’s not that Sarah Kane had magical powers, but that she was with total integrity exploring her question. And there were a lot of amazing questions at that time.
What made theatre manager Gordon Stratford special for me, as a boss, was his passion for the theatre, his quick understanding of potential audiences, and his willingness to give his marketing team the chance to challenge him on proposed prices, deals, and even show choices.
I was talking with a client yesterday, who is a theatre-maker and wanting, like so many, to get back in front of a live audience and to work close with fellow creatives to make work happen. We decided to focus on a few areas – not least because we have no idea how long we are going to be in the current state of lockdown and reliance on digital platforms.
Do fill your glass, glam up and get ready to join host Jason Manford in saluting the Olivier Awards 2020 winners and nominees. Oh and why not take a look at the social media build-up to the big night too.
At the darkest moments I have to believe there is a future for our industry. I have to believe we will defy our government and prove to be viable. I absolutely believe the way that this will happen is through the invention and enterprising energy of creative producers making stuff happen.
Moment of Grace is beautifully shot and sensitively told, treating the issues of HIV raised at the time – ignorance, prejudice and lack of medical knowledge in how to treat it – with compassion and sensitivity.
Over the last few months I have moved so much of my life and work online, often using Zoom, as so many of us have. Yesterday someone decided I should now call myself a Zj…which sounds fun.
“Sensitive and engaging,” “beautiful,” immensely thoughtful”: Take a look at the incredible reviews for new online play Moment of Grace, then watch for yourself at The Actors Centre website until 9 August.
Three character play Moment of Grace, based around Princess Diana’s visit to a London’s hospital’s first AIDS unit in 1987, is immensely thoughtful and emotional.
Moment of Grace, a new drama inspired by the monumental action taken by Princess Diana when she visited a London AIDS ward in the 1980s, will be streamed by The Actors Centre later this month. The production premieres on 31 July and will be available to watch until 9 August.
‘In terms of the future, we want 503 to be resilient and it feels like our community of audience and artists believe in the necessity of an organisation such as ours. At the same time, there are no guarantees.’
When to touch was to heal. At a time when shaking hands feels like a distant memory, Bren Gosling’s play, inspired by a symbolic act of taboo-breaking compassion, has defied its own challenges to transform from acclaimed stage production to film. Watch the trailer and find out more.
The more you think about the invitation to the audience – as you say ‘come, be blocked off behind screens, we will spray you and present shows where actors stand apart, and we will try to encourage you not to sing along’, it’s like an anti-theatre.
‘It feels to me like, with The Great Gatsby, we had an opportunity, and resulting from that a duty, to use the show to work out some of the key things that might help the industry as a whole.’
Emma Clarendon chatted to Tori Allen-Martin and Sarah Henley about their new not-for-profit organisation, Burn Bright.
‘We’ve spent seven years building to this point and three years to open the thing, changed the area and culture of the place, and in the snap of the fingers, it’s a ghost town.’