Emma Clarendon chatted to Jemma Kahn about bringing We Didn’t Come to Hell for the Croissants to the Riverside Studios.
Following the 7.45pm performance of Enda Walsh’s acclaimed 2006 play The Walworth Farce on Tuesday 28 February 2022 at Southwark Elephant, I’ll talk to creatives and cast. Any questions? Join us!
Another constant for over 40 years was Al Hirschfeld, whose highly distinctive line drawing caricatures of Broadway accompanied the New York Times reviews of new openings. No one elevated the simple line drawing embodiment of Broadway to an art form in its own right quite as he did.
I’m at London’s Finborough Theatre in February for the UK premiere of Marc-Emmanuel Soriano’s multi-award-winning French play One Who Wants to Cross (Un Qui Veut Traverser), directed by Alice Hamiton.
For the post-show talk for new play Wickies: The Vanishing Men of Eilean Mor at the Park Theatre I was joined by writer Paul Morrissey and his all-Scottish, three-strong cast: Jamie Quinn, Ewan Stewart and Graeme Dalling.
To celebrate the re-release of Original Theatre’s critically acclaimed, on-demand online production of Into the Night: The Story of the Penlee Lifeboat, and to commemorate the 41st anniversary of the real-life disaster, I’ll chair a FREE online discussion with playwright Frazer Flintham and Michael Sagar-Fenton, Cornish author of the book on which the play is based.
After a spine-chilling post-show talk for ghost story When Darkness Falls last year, I’m looking forward to reuniting with writer Paul Morrissey at London’s Park Theatre for his latest new thriller, Wickies.
One of the few things I enjoy even more than theatre is talking politics. So chairing a post-show discussion about a brilliant new political play, written and directed by a Westminster insider and lifelong activist, really is my idea of bliss. At the White Bear Theatre, I got to do just that for Triggered, Emma Burnell’s new play about a fictional deselection of a Labour MP ahead of the 2019 General Election.
Hot on the heels of my post-show Q&A for Doctor Faustus, I’m pleased to announce I’ll return to Southwark Playhouse in January to continue my long-time association with Lazarus Theatre Company, discussing their brand-new production of Shakespeare’s Hamlet.
I’m thrilled to reunite with Troupe – after events for acclaimed productions including The Sweet Science of Bruising, Rasheeda Speaking, Dear Brutus and The Cardinal – to chair a post-show Q&A for Simon Reade’s new adaptation of Christopher Isherwood’s 1964 novel A Single Man at London’s Park Theatre.
A story of adultery, betrayal, age discrimination, sexual exploitation, domestic violence, press intrusion, scandal, robbery… and a rescue at sea. Hardly the kind of subjects you would necessarily associate with Victorian music hall, and yet all that and more can be found in Marie Lloyd Stole My Life, a true tale of scandal, stardom and song in 19th century Islington, playing at London’s Rosemary Branch Theatre on 6 October 2022.
After post-show Q&As for Tonight with Donnie Darko, Vincent River, Angry and Tender Napalm, I’m delighted to be invited to chair another discussion with Philip Ridley, one of the UK’s greatest and most innovative living playwrights. This time for the live stage premiere of his online lockdown hit The Poltergeist.
The Quality of Mercy, a new one-man play about notorious British serial killer Harold Shipman, premieres at London’s Courtyard Theatre this month. Taking a break from rehearsals, writer and performer Edwin Flay told us more about his very personal family connection to Shipman’s crimes.
What might entice you to sell your soul to the devil? Fame? Riches? Immortality? World peace? A rent-free London flat? Four pints of Guinness? At my post-show Q&A for a production of Doctor Faustus, that was an irresistible question to pose to the company. But before that, we covered much else to do concerning adaptation and the creative process, with a lot of fun and laughter.
The death of Queen Elizabeth II was announced just before my arrival at the Lion & Unicorn Theatre. Like the rest of the country, the theatre staff had been braced for the sad news. So the world premiere of Proforca’s Flashbang was preceded by a public address and collective silence.
Both have successful decade-spanning careers. Both are driven and fiercely independent. And then there’s the mutual love of sequins. Arlene Phillips talks to Vicky Edwards about Girl Power, refusing to act her age and why The Cher Show is an unmissable and fabulously feel-good extravaganza.
Love London Love Culture’s Emma Clarendon chatted to Julian Forsyth about starring in The Woman in Black as Arthur Kipps in London’s West End.
Nadine Higgin stars as Alma in the forthcoming production of Yellowman, which opens at the Orange Tree Theatre next month. Kirsty Herrington spoke with Nadine to find out more about her latest play.
Elizabeth Fry: The Angel of Prisons, the latest in a series of site-specific plays inspired by the history of Newham in east London, is running this week in the Elizabeth Fry Room at Canning Town Library. We spoke to playwright James Kenworth about the Victorian reformer who inspired the play. Book now before it’s too late!
Love London Love Culture’s Emma Clarendon chatted to Sera Maehara about reprising her role as Liat in Daniel Evans’ production of South Pacific. We chatted to Sera Maehara about reprising her role as Liat in Daniel Evans’ production of South Pacific. How does it feel to be part of this production once again?I
feel very grateful to be back in this show. The process is very exciting, it’s not just coming back to what we found last year, but also discovering new approaches and adjusting to what feels right for us this year.