Superbly directed by Kim Gavin and Jack Ryder, aided by a strong team of equally imaginative creatives, there is so much more to the success of the intriguing musical The Band than one would imagine.
I try out the new smart caption glasses while watching Hadestown at the National Theatre and am blown away both by the show and the frankly amazing technology.
Parents, if the thought of sitting through yet another (yawn) pantomime this Yule fills you with dread, then I’d recommend the dazzling, cheery musical Nativity! The Musical as an outstanding alternative.
Using state of the art video projection, contemporary newsreel footage, TV commercials, incredible concert-style lighting and a full live brass ensemble The Simon & Garfunkel Story is a moving and powerful concert.
The Show People Podcast is back! This special ‘Show Peep’ tells you what Andrew Keates has been up to in Ireland, how we’ve become an award-winning podcast and details of Arion’s next masterclasses with Danielle Tarento and Cassidy Janson.
Roxana Silbert has been announced as the new artistic director and joint chief executive of Hampstead Theatre and will join the theatre in spring 2019, taking over from Edward Hall.
Matt Board and Reina Hardy’s new musical Fanatical taps into the apparently unstoppable rise of comic-book culture, but takes a refreshingly uncynical slant on the subject.
The winners of the 64th Evening Standard Theatre Awards have been announced, with double wins for the National Theatre’s Antony & Cleopatra and the West End productions of Company and Hamilton.
Now, Laurence Connor and James Powell’s new production of Les Misérables (seen on Broadway a few years ago) gives Les Mis a fresh look which will assure its longevity.
