A keenly observed dark comedy that is incredibly relevant to our technology-dependent lives – an hour of brilliant new writing that you simply must see.
Compelling acting and prescient storytelling elevate the almost too clever “What if?” premise of A Doll’s House, Part 2 from Melbourne Theatre Company.
Twa, the collaboration between writer Annie George and visual artist Flore Gardner at the Scottish Storytelling Centre, is a lucid and involving production.
An hysterically funny new musical that also makes a rather pertinent point about disability and inclusivity – the performances are top notch, and it’s effortlessly accessible.
There is no mistaking the anger that informs and pulsates through the piece like a roaring fire. But this is an Emilia for our life and times, bringing the past and present and hopefully the future into glorious unison.
There is good writing here and some good ideas but it loses its way. The Journey is the story of a romance set on a lonely spaceship but it’s also a play within a play, the trials and tribulations of two actors putting on a play at the Fringe.
