Anna at the National Theatre is a taut thriller and an interesting and different play watching experience.
All of the actors in Our Town create a beautiful puzzle of different personalities, dynamics and ages that really make their performance shine as a whole.
Jonathan Harvey’s delightfully funny comedy Boom Bang-A-Bang exploring relationships and how quickly they can disintegrate is sharply brought to life in this engaging production.
Philip Ridley and Robert Chevara’s production of Vincent River emerges as a masterful depiction of oppositional but mutual need unexpectedly producing a healing catharsis.
The blood-soaked events of The Duchess [of Malfi], a co-production between the Lyceum and the Citizens Theatre, are almost unwatchably intense at times. As a depiction of timeless and timely considerations, however, this production is hard to beat.
Bella Heesom explores the subliminal messages that girls assimilate from a young age in Rejoicing at her Wondrous Vulva the Young Woman Applauded Herself at Ovalhouse.
First things first, how good a title for a play is Sad About The Cows? Pretty bloody good I would argue. It’s also a pretty bloody good play, as it happens.
Blueprint Medea, written and directed by Julia Pascal, receives its world premiere at the Finborough Theatre tonight (23 May 2019). Check out our first-look production shots gallery – and then get booking!
Love London Love Culture rounds up the reviews for Selina Thompson’s award winning play salt, now playing at the Royal Court Theatre.
Award-winning director Ned Bennett’s bold revival of Peter Shaffer’s iconic psychological thriller Equus is transferring to the West End this summer. Following its successful run, the English Touring Theatre and Theatre Royal Stratford East production will open at London’s Trafalgar Studios on 6 July 2019 for a strictly limited season until 7 September.