Artificial intelligence and robotics have long been a boon to us ethical-scifi buffs, films like AI and I, Robot mercifully saving us from rocket ships and aliens called Xzxvyvrgg. In Jordan Harrison’s play Marjorie Prime at the Menier Chocolate Factory it is inner space – and a recognisable world – which gets invaded by parasitic cyberthink.
‘It’s brilliant to see underrepresented voices brought to life’: ALFIE’S FIRST FIGHT – Touring
Oliver Sykes’ debut children’s novel is inspired by growing up as a keen amateur boxer in a single parent family on the breadline. Having long been a passionate advocate for underrepresented voices, Sykes brings his own personal experiences to the page in Alfie’s First Fight, which promises to be a cross between Jacqueline Wilson and Rocky Balboa.
‘The cast is clearly having a (disco) ball’: THE WAY OLD FRIENDS DO – Touring
Expertly directed by the ever dependable Mark Gatiss, The Way Old Friends Do at the Park Theatre is a surprising delight which does what it says on the tin, and then a bit more.
‘Celebrating its 80th birthday with an update’: THE GOOD PERSON OF SZECHWAN – Sheffield & Touring ★★★★
Originally written in 1941 by Bertolt Brecht, The Good Person of Szechwan was first performed in 1943 – and this year celebrates its 80th birthday with an update by Nina Segal.
‘A haunting story told in a magical way’: FURTHER THAN THE FURTHEST THING – Young Vic Theatre
Empathetic revival of Zinnie Harris’s 2000 play about a lost world and small island longings
The post Further Than the Furthest Thing, Young Vic appeared first on Aleks Sierz.
‘Sets a crisp pace & witty tone’: BLACK SUPERHERO – Royal Court Theatre
“I’m holding out for a hero” is Bonnie Tyler’s famous song, and it could be the theme tune for David (Danny Lee Wynter) in Black Superhero. He’s long held a torch for friend King (Dyllón Burnside), who is playing superhero Craw in a low-brow movie franchise.
‘A celebration of hard won opportunity that must never be torn away’: WALDO’S CIRCUS OF MAGIC & TERROR – Touring
Waldo’s Circus of Magic and Terror is advertised as a new musical, and it does have songs in, but it also has much more. To me, it feels like a play with music, dance, creative access design, and circus acrobatics mixed together. And the combination is very effective. The show is powerful, with funny moments, beautiful moments, and devastatingly sad moments as it reminds us of terrible things that have happened to people who are considered ‘different’ through history.
‘An often thrilling production’: DANCE OF DEATH – Coronet Theatre
Usually, European productions find a home at the Barbican but The National Theatre of Norway has gone west to Notting Hill for the UK transfer of Dance of Death performed in the original Norwegian with English surtitles. This often thrilling production that explores the melodrama and violence in a 25-year marriage is compelling stuff, demonstrating how to make 120-year-old material feel brand new.
‘A dazzling, excoriating new version’: ACCIDENTAL DEATH OF AN ANARCHIST – Lyric Hammersmith ★★★★★
Daniel Rigby won a BAFTA for his portrayal of the beloved comedian Eric Morecambe in a 2011 TV film. The spirit of Morecambe – endearing, absurd, inspired, with a slight edge of danger – permeates Rigby’s performance in this savagely brilliant reinvention of Dario Fo and Franca Rame’s police corruption satire Accidental Death Of An Anarchist at the Lyric Hammersmith.
New post-show Q&A: Terri Paddock digs out her platforms for a chat with The Way Old Friends Do cast & creatives at the Park Theatre
Calling all ABBA and new writing fans! I’m delighted to return to the Park Theatre for the premiere of The Way Old Friends Do, written by and starring Ian Hallard and directed by Mark Gatiss.
‘Visceral, animalistic & strange’: MACBETH – Southwark Playhouse
It is an unusual Macbeth that comes to life with the Porter’s scene, the play’s disconcerting post-murder comic interlude – even more so when it is performed without words. Dale Wylde’s mimed scene is a weird and captivating interlude. It encapsulates the strengths and weaknesses of Flabbergast Theatre’s version at Southwark Playhouse.
NEWS: Test your nerve in the thrilling site-responsive experience Facts not Opinions’: Stretched to the Limit
Step back in time and enter the world’s first Victorian Testing and Experimenting Works on London’s Bankside for an evocative and surreal new site-responsive performance. Expect to be tested to your limits during Illuminate Productions’ ‘Facts not Opinions’: Stretched to the Limit.
‘Powerful & thought-provoking’: FOX – Touring
Following a run at the Edinburgh Festival Fringe in 2019, and a Covid-induced hiatus, Katie Guicciardi’s FOX is finally out on tour. Inspired by real-life events, this witty one-hander offers a candid insight into the isolation of new motherhood. Mummy joined a room full of tiny humans and their grown-ups for a baby-friendly performance of FOX at Greenwich Theatre.
‘Tip your hat & get down there’: GUYS & DOLLS – Bridge Theatre ★★★★★
Daniel Mays has played a lot of tough-guy roles but has by nature a rather innocent and worried-looking face. It is this quality that Nicholas Hytner spotted as perfect for his Nathan Detroit in Guys & Dolls at the Bridge Theatre: lowlife but hapless, indecisive about the faff and cost of marrying his tolerant fiancee of 14 years standing, Miss Adelaide (an irresistible Marisha Wallace).
REVIEW ROUND-Up: Marjorie Prime at the Menier Chocolate Factory
Love London Love Culture’s Emma Clarendon rounds up the reviews for the revival of Jordan Harrison’s Pulitzer Prize nominated play Marjorie Prime at London’s Menier Chocolate Factory.
‘The changing tone is very engaging’: FURTHER THAN THE FURTHEST THING – Young Vic Theatre
Malevolent forces shaping small communities is a strong premise for all kinds of drama, from the arrival of outsiders that tend to be the focus of horror to the power shifts of Pinter plays that upset the status quo with new authorities forming that overshadow the existing order. Zinnie Harris’ 2000 play Further Than the Furthest Thing combines these ideas with broader notions of industrialisation and the religious management of a community relatively untroubled by the outside world until one if its returning sons brings change.
‘Feels depressingly timely’: RUSH – Chickenshed Theatre
In a week when the UK government doubled down on its harmful and divisive rhetoric with regard to refugees and immigrants, Chickenshed’s new spring show Rush feels depressingly timely. At its core the story of three women from different generations of the same family, the show also tells a much wider tale that both celebrates black culture and laments its erosion across the centuries.
VIDEOS & PHOTOS: From Feydeau & farce to internationalism and inclusivity, there’s lots to discuss in the A Tailor for Ladies post-show Q&A
This new production of Georges Feydeau’s early 1886 farce A Tailor for Ladies, which Penny Tomai has translated and co-adapted with director Lee James Broadwood, marks Medley Theatre Company’s debut, with a two-week season at London’s Cockpit Theatre where an international ensemble switches up halfway to allow actors to take on different roles.
‘Clever, funny & frustratingly relevant’: BRILLIANT JERKS – Southwark Playhouse ★★★★
Joseph Charlton’s witty and incisive play Brilliant Jerks at the Southwark Playhouse portrays the evolution of a brilliant idea into a multi-billion-dollar ride-hailing app, laying bare the cut-throat and toxic workplaces and casualties as the money keeps rolling in.
‘Absorbing audio drama’: BENNY & HITCH – BBC Sounds (Online show)
Benny And Hitch concentrates on the turbulent relationship between the director and his often first choice composer, Bernard Herrmann. They worked together on an unbroken stretch of eight films from 1955 to 1964 and the composer also contributed to the TV shows made concurrently.