In a special Camden Fringe edition of A Glimpse Inside, I met up with TL Wiswell to talk about her new show Space Age Love Songs, running at the Hen and Chickens from 21 August 2019.
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
Can we ever really know what happened between two people behind closed doors? That’s the question at the heart of Anna Zeigler’s provocative new two-hander Actually, and one the company, audience and I grappled with after last week’s performance at Trafalgar Studios.
“Having re-read the book, I was struck by how powerful Jane’s path was – and if it had made me feel that way in the 21st century, the effect on its readers when it was first published must have been seismic!”
Love London Love Culture rounds up the reviews for Oscar Toeman’s production of Anna Ziegler’s new play Actually.
Not long left to see two of the Featured Show campaigns I’ve been working on recently: Crystal Clear at the Old Red Lion Theatre and Sherlock Holmes and The Invisible Thing, which takes London’s most famous detective home to Baker Street. Both finish this weekend!
Find out what critics have made of Jamie Lloyd’s production of Andrew Lloyd Webber and Tim Rice’s musical Evita with LLLC’s review round up…
Yasmin Paige and Simon Manyonda exude “chemistry” in the “highly watchable” and the zeitgeisty European premiere of Anna Zeigler’s Actually, which is now running at the West End’s Trafalgar Studios until 31 August 2019. We’ve rounded up review highlights below – time to get booking!
Olivier Award winner and Miranda star Patricia Hodge will join the cast of Peter Nichols’ A Day in the Death of Joe Egg opposite Toby Stephens and Claire Skinner, running at London’s Trafalgar Studios from 21 September to 30 November 2019.
More2Screen has announced the cinema release of the critically acclaimed stage adaptation of Angela Carter’s Wise Children, which will be screened in more than 250 cinemas across the UK and Ireland from Thursday 3 October 2019. Cinema tickets are on sale now at WiseChildrenCinema.com.
I had just enough time to wipe away my tears – I was sobbing – at the end of The View Upstairs before jumping up after the curtain call to announce this post-show Q&A at Soho Theatre.
What is it about a great whodunnit thriller? What makes us keep turning the page? How does that inquisitive excitement translate onstage?
After The Girl on the Train post-show Q&A, director Anthony Banks and I had to squeeze in another one together to his second current hit in London, Games for Lovers – which also meant I got to return to The Vaults for producer James Seabright’s third offering this summer.
How many different ways can one play be interpreted? The company of Equus were very keen not to impose their opinions but the audience at last night’s post-show Q&A at Trafalgar Studios had plenty of their own. Which were right? All of them! And what a knowledgeable audience it was. Many had seen this or other previous […]
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk…
Recent Mountview graduate Olivia Wormald makes her professional debut this month in a regendered stage adaptation of The Mozart Question, Michael Morpurgo’s 2007 children’s book which she herself read as a child. We talked to her about inspiration and how music can save lives. Time to get booking!
After chairing events for London transfers of Creation Theatre’s The Pit and The Pendulum and Dracula, I was chuffed to be invited to see them on their ‘home turf’ in Oxford and host a post-show Q&A for their new gaming take on Shakespeare’s The Tempest.
Theatre company Sliding Tackle’s debut production, new drama Target Man, which is set in the world of Premier League football, comes to the King’s Head Theatre later this month. Time to book your tickets!
Love London Love Culture rounds up the reviews for Mr Gum & the Dancing Bear, Andy Stanton and Jim Fortune’s musical based on the children’s books. It continues in rep at the National Theatre until 31 August 2019.
“Another corker”, “beautiful, warm and moving” – audiences have taken to social media to share their love of Crowded Room’s new play about facing up to death, The Colours. See what’s being said, then book your tickets!