Inspired by her own experience of clothes hoarding, the monologue Breathless by Laura Horton at Pleasance Courtyard is a gentle story of accepting and managing mental health issues.
‘Ludicrous & surprisingly moving’: THE REST OF OUR LIVES – Edinburgh Festival Fringe
The Rest Of Our Lives at Summerhall, Edinburgh ends in a remarkable moment of mass dancing as the audience descends on the stage, suddenly finding themselves at full emotional stretch thanks to an unashamed expression of personality from these two delightful performers.
‘Let’s hope industry leaders listen’: CASTE-ING – Edinburgh Festival Fringe
Nouveau Riche, creators of the hit show Queens of Sheba that confronts systemically ingrained misogynoir, now focuses on the experience of being a Black woman actor in Caste-ing. Using music, beatboxing and spoken word to expose the micro-aggressions and racism that shape their working lives, the show is a rallying cry for change within theatre and film.
‘Exceptional & thrilling dance’: ANTIGONE, INTERRUPTED – Edinburgh Festival Fringe
Antigone, Interrupted is exceptional and thrilling dance and, like several productions at this year’s Fringe, reverts to Greek myth to provide stories for our trouble times, with remarkable results.
‘There’s nothing to dislike about Karp’s feline alter ego’: HOW TO LIVE A JELLICLE LIFE – Edinburgh Festival Fringe ★★★★★
Linus Karp’s deconstruction of the relatively unpopular movie adaptation of Cats, How to Live a Jellicle Life: Life Lessons from the 2019 Hit Movie Musical CATS, is a one-person cabaret show which combines everything bad and partly good about the star-studded film based on the Andrew Lloyd Webber musical of the same name.
‘Remarkably revealing & painfully honest’: THE SILENT TREATMENT – Edinburgh Festival Fringe
Sarah-Louise Young is brisk, charming and authoritative, engaging the audience in vocal warm-ups as they take their seats. Her confident stage demeanour sets the scene for one-woman show The Silent Treatment at Summerhall that becomes remarkably revealing and painfully honest.
‘Remarkable work’: JUST AN ORDINARY LAWYER – Edinburgh Festival Fringe (Online Show) ★★★★
Just An Ordinary Lawyer is one of two shows which Tayo Aluko and Friends have available both live and online on-demand at the Edinburgh Fringe this year, and this one focuses on Nigerian Tunji Sowande (1912-1996), concert singer, cricket fan and Britain’s first Black judge.
‘Fantastically good fun’: Kathy & Stella Solve a Murder – Edinburgh Festival Fringe
Musical comedy Kathy & Stella Solve a Murder by Jon Brittain and Matthew Floyd Jones at Roundabout @ Summerhall is a hilarious caper that embraces the genre’s fans, life’s unexpected heroes and the quest to find yourself.
‘Carefully choreographed & absorbing’: THE LAST RETURN – Edinburgh Festival Fringe
Sara Joyce’s production of The Last Return for Druid Theatre at the Traverse is carefully choreographed and absorbing. Sonya Kelly has re-imagined Ionesco for the post-colonial era, and leaves us feeling we’ve seen something we won’t forget in a hurry, even if its exact meaning is elusive.
‘The only sure thing is that the play has us captive’: The Girl Who Was Very Good at Lying – Edinburgh Festival Fringe
Eoin McAndrew’s script for The Girl Who Was Very Good at Lying at the Edinburgh Festival Fringe is borderline cruel in that Rooney is required to deliver the frenzied prose in only an hour. But it is watertight. Hysterical in tone, speed, and funniness, and Fay Lomas’ direction ensures the writing is done justice. The Girl Who Was Very Good at Lying is slick, moving, and an absolute gem of the Fringe.
’An absolute gem of a solo show’: AGE IS A FEELING – Edinburgh Festival Fringe ★★★★★
Hayley McGhee has created an absolute gem of a solo show in Age is a Feeling at Summerhall Anatomy Lecture Theatre, Edinburgh. A day after seeing it, some of the lines (and feelings evoked) are still zinging around my mind (and heart). In other hands the concept of this show might feel cliched and presumptuous but McGhee’s mesmerising presence on stage and terrifyingly insightful script are beautiful, compelling and moving from start to finish.
‘Captures the heart’: FINDING MAGIC – Edinburgh Festival Fringe (Online Show)
A Zoom performance by Beverley Bishop, directed by Peter Beck, Finding Magic includes an audience recorded at the time of the livestream, to give a sense of interactivity.
‘Truly a thing of beauty’: Rob Madge: My Son’s a Queer (But What Can You Do?) – Edinburgh Festival Fringe ★★★★★
Coming of age biopic Rob Madge: My Son’s a Queer (But What Can You Do?) at the Underbelly George Square, Edinburgh is truly a thing of beauty, its life affirming and will leave you crying like a baby. Quite frankly the entire show needs to be shown in schools to educate both the children and the teachers.
‘Reclamation of trans people’s othering is joyful & fun’: SOMETHING IN THE WATER – Edinburgh Festival Fringe
In transphobic discourse, trans people are feared and consequently monstered. In these bigots’ brains, they are positioned outside the gender binary and labelled ‘not normal’. Canadian trans nonbinary theatremaker SE Grummett (they/them) first satirises what is considered normal within traditional gender roles, then creates a simple folktale where trans people as superheroes. They uses puppetry, audience interaction and live feed video projection along with monologues to both hilarious and profound effect.
‘Compelling, entertaining & thought-provoking’: MADE IN INDIA / BRITAIN – Edinburgh Festival Fringe ★★★★
Rinkoo Barpaga has created a fascinating and unsettling show in Made in India/Britain. An honest and clear-eyed exploration of his own experiences and reactions to navigating life as a deaf person of Indian heritage in modern Britain, it did that rare and precious thing of opening my eyes to a world of which I knew very little.
‘It’s all rather charming, really’: THE LATE HARNESS REBELLION – Edinburgh Festival Fringe (Online Show) ★★★
Tamás Milhofer brings his show The Late Harness Rebellion to the digital strand of the Edinburgh Fringe with the collaboration of Unmuted Participants.
‘The comedy & cultural references are spot-on’: BAD TEACHER – Edinburgh Festival Fringe
Bad Teacher is a new production from Queen of Cups, a young female-led and London-based theatre company. This one-woman play follows young teacher Evie and her particularly bad day at school, from coming in with a hangover to a hectic parent evening.
‘Being at the Fringe for us means arriving on the world stage’: Director Mona Zaidi introduces Edinburgh audiences to new play My Own Private Shakespeare
Award-winning Canadian director Mona Zaidi is ready for the Edinburgh Festival Fringe 2022, having staged Justin Hay’s critically acclaimed play My Own Private Shakespeare which continues its run at the Willow Studio, Greenside at Riddle’s Court until 27 August 2022.
Taking the family to the Edinburgh Fringe? The Family Stage is here to help
We are wading through the ‘What’s On’ directory on the Edinburgh Fringe website to help you get to grips with it all. In the first of our Edinburgh Fringe previews, we’re focusing on the shows we’ve seen before. Whether you’re taking a toddler or teenager, you will find a show with the Family Stage seal of approval in our tried and tested list below.
‘You’re always aware of the artifice’: SUNSHINE ON LEITH – Edinburgh ★★★
It’s heartening to see the fine folk of Capital Theatres involved in such a confident show, it’s just a shame this Sunshine on Leith is more concert than theatre.