Like a fine cognac, Frances Ruffelle‘s most recent album deliciously distils her passion for France. Remembering that it was Ruffelle who created the role of Eponine in Les Miserables, a show that was to evolve into one of musical theatre’s few truly global sensations, that she is in love with all things French is hardly a surprise.
I Say Yeh Yeh is a pot-pourri of songs special to Ruffelle for a variety of reasons. Les Mis is there, obviously, as are a handful Piaf numbers – but it is in discovering the unexpected amongst the tracks that the album takes on an eclectic charm.
Bookending the collection is Les Miserables and the album opens with L’un Vers L’autre, a Boublil and Schoenberg composition that never made the English show’s final cut. The song offers a tiny glimpse into the genesis of a show, with echoes of recognisable motifs occasionally breaking cover. One is left, pondering smilingly, how different the show might have been had L’un Vers L’autre been included.
Eponine’s big solo, On My Own, closes the album, in an intriguing re-work. Ruffelle’s timbre is timeless, but when this most famous of show-tunes is sung here by a woman rather than a girl, Herbert Kretzmer‘s lyrics are imbued with a worldly-wise insouciance that replaces the number’s hallmark youthful aspiration and gives the song an intriguing evolution.
Ruffelle admits that after having searched for a perfectly resonant male voice to record the enigmatically romantic Paris Summer, it was only her chance suggestion to local hairdresser Rowan John that led to him covering the track – in a vocal revelation as charming as the song’s lyrics.
It has famously been recounted by Ruffelle that it was her take on Edith Piaf’s Hymn To Love at a Les Mis audition that landed her both the role and later, John Caird the show’s co-director as her husband. Traditionally anthem-esque, though recorded on here with a soft accordion accompaniment, Hymne À L’amour is included along with a handful of other Piaf gems. The song, perhaps more than any other and even though performed in English, defines Ruffelle’s exquisite understanding of Piaf’s magic. (Her take on the French singer in Paul Kerryson’s production of Pam Gem’s Piaf, staged at Leicester’s Curve some 3 years ago, reviewed here, was arguably definitive and this album offers a neat reminder of Ruffelle’s excellent interpretation.)
Produced by Gwyneth Herbert – who accompanies Ruffelle on a cover of Georgie Fame’s eponymous title track – the CD offers a most delicate of musical mille feuilles, a finely crafted foray Français. Ruffelle adds that she recorded I Say Yeh-Yeh for love, rather than the pressure of any commercial or contractual requirement and it shows. A must-have for her fans and Francophiles alike!
Available for download from iTunes