Claire Martin and Joe Stilgoe – Review

In by Jonathan BazLeave a Comment

Crazy Coqs, London
*****Joe Stilgoe and Claire Martin
The syncopated excellence of Claire Martin and Joe Stilgoe has to be seen (and heard) to be believed. Martin, one of our finest jazz divas, defines insouciance as she controls her perfect timbre, her voice swooping like a seabird from the most glorious moment of an occasional mezzo trills, down to a luxuriously resonant contralto. Her pitch is perfect and her timing pinpoint - there is truly nothing more a cabaret singer could offer.
And then there's Stilgoe. With a reverential impertinence that reminds one of Peter Shaffer’s young Amadeus, eschewing sheet music and much like a Transformer straight out of the recent movie franchise, he becomes one with his piano. Stilgoe really is that good. The pair's set list, loosely themed around Springtime takes in the Great Songbooks from both sides of the pond and a segue that seamlessly joins Gershwin’s S’Wonderful, to Sam Cooke’s Wonderful World and which in less confident hands would appear cheesy, here just seems so natural. Not just a pianist, the young musician’s guitar playing is divine too and he also delivers a neat mimic of a muted trumpet. But it was only when sat at his piano that Stilgoe junior whistled at me, that I truly realised how proud of son Joe, dad Richard should truly be.
For an evening packed with gems, the rest is detail. The pair (whose harmonies were always perfectly aligned) gave a cracking treatment to Sinatra’s That’s Life and also enchanted in Legrand’s Watch What Happens. Martin soloed sublimely with April In Paris, whilst her treatment of the Garland classic Get Happy! referenced the Hollywood star in style, yet bore a fresh interpretation that was nothing short of sensational. 
No matter their patter occasionally drifted. On this night the singing was all that counted and rarely are two performers so marvellously melded. They’re only here for a week, don’t miss ‘em!

In residence until 28th March
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Jonathan Baz
Theatre critic Jonathan Baz is London-based but with a coverage that extends far beyond the capital to include regional theatre as well as occasional forays into Europe and the USA. He enjoys reviewing new writing as much as seeing fresh interpretations of well-known plays and musicals. Jonathan also sits on the judging panel of London's Off West End Awards ("the Offies") and has published numerous interviews and features with leading figures in the film and theatre world. Away from the arts, Jonathan is a practising Chartered Accountant with a number of clients in the entertainment industries. He blogs at www.jonathanbaz.com and tweets at @MrJonathanBaz.

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