Kerry Ellis in Closer Than Ever

‘A revue is always tricky to review’: CLOSER THAN EVER – BroadwayHD (Online review)

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“I know something that people don’t know”... A revue is always tricky to review. As a random collection of songs by the same composer, unconnected by a book as in a conventional musical, they can be a bit scattershot, relying on directorial vision to provide some kind of thematic consistency that provides a satisfying cohesiveness. This new production of Maltby and Shire’s Closer Than Ever just about gets there, though it occasionally struggles to break through the digital form.

The promotional blurb promises to “delve into the trials and tribulations of modern love”, a rather bold claim given some of these songs date as far back as 1983. But to their credit, musically they freshen up well under Nick Barstow’s assured musical direction. And many matters of the heart are timeless, so there isn’t too much staleness around subject or lyrical content, sexy secretaries aside.

What works well is a crack cast of four: West End stars Kerry Ellis, Lee Mead and Grace Mouat joined by X-Factor winner Dalton Harris (who I saw as a highly impressive guest at Mead’s summer Palladium concert). The interpretative skills at hand means that quality moments are never far away, even that secretary gets a fair crack of the whip as Kerry Ellis wrestles some dignity out of ‘Miss Byrd’.

So credit to director and musical stager Stacey Haynes and co-director Richard Maltby Jnr himself, who wisely leave the songs to speak for themselves. That said, there’s no denying that it is awful easy to check out without that narrative thread to keep you rapt in the progression of the work but in this digital day and age, the beauty of streaming means that you can pick and choose just how much you consume in any one go.

 

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Ian Foster
Since 2003, Ian Foster has been writing reviews of plays, sometimes with a critical element, on his blog Ought to Be Clowns, which has been listed as one of the UK's Top Ten Theatre Blogs by Lastminute.com, Vuelio and Superbreak. He averages more than 350+ shows a year. He says: "Call me a reviewer, a critic or a blogger, and you will apparently put someone or other's nose out of joint! So take it or leave it, essentially this is my theatrical diary, recording everything I go to see at the theatre in London and beyond, and venturing a little into the worlds of music and film/TV where theatrical connections can be made."
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Ian Foster on FacebookIan Foster on RssIan Foster on Twitter
Ian Foster
Since 2003, Ian Foster has been writing reviews of plays, sometimes with a critical element, on his blog Ought to Be Clowns, which has been listed as one of the UK's Top Ten Theatre Blogs by Lastminute.com, Vuelio and Superbreak. He averages more than 350+ shows a year. He says: "Call me a reviewer, a critic or a blogger, and you will apparently put someone or other's nose out of joint! So take it or leave it, essentially this is my theatrical diary, recording everything I go to see at the theatre in London and beyond, and venturing a little into the worlds of music and film/TV where theatrical connections can be made."

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