‘Just the kind of inclusive comedic treat we need’: THE COMEBACK – Noël Coward Theatre

In Comedy, London theatre, Opinion, Plays, Reviews by Ian FosterLeave a Comment

Noël Coward Theatre, London

For someone who first became aware of comedy duo The Pin due to their impeccable Twitter content during the first lockdown, the idea of them doing a full-length play seemed rather improbable given the strength of those sketches was their 70-second running time. But Ben Ashenden and Alex Owen’s credits stretch much further (you can tell I don’t listen to Radio 4…) and The Comeback actually began life at the 2018 Fringe before being pimped for this West End run at the Noël Coward Theatre.

And over and above the pleasure of being able to go to the theatre again, something sadly not true for everyone in the country and not even for London for much longer, The Comeback offers the kind of warmly generous comedic thrill that feels perfect for the season. I found it to be ‘Christmas Day on the sofa’ – funny throughout, with some moments that are frankly hilarious and others that didn’t quite tickle my funnybone as much, though the beauty of comedy is that we all have different senses of humour and so you’ll just have decide whether it is funny for yourselves.

The set-up for the show sees Ashenden and Owen play two double acts who are sharing the bill on a regional tour. Support act Alex and Ben are young and struggling to break through, old-timers Jimmy and Sid are wondering whether they’re past it, but when news of a Hollywood producer in the crowd trickles backstage, the stakes are suddenly raised. What follows is a dizzying combination of farce and stand-up, as we switch from pair to pair, from backstage to onstage and sometimes into the audience too.

For me, the production is at its strongest when Alex and Ben are playing… ‘Alex and Ben’. Whether rattling through sketch ideas or ruminating about their lack of career progression, the sharpness of their comic timing is just a delight and even more so once they concoct a plan to bump themselves up the bill. As Jimmy and Sid, their nod to comedy duos of the past feels less acutely observed (did they have to be northern…?), though once Noises Off-esque shenanigans kick in – superbly directed by Emily Burns – the frenetic energy is entirely winning.

Throw in a luxury celebrity cameo, a hilarious singalong, their own song and dance routine and some lovely creative work from Rosanna Vize’s resourceful set, Giles Thomas’ sound and Prema Metha’s instructive lighting, plus a beautifully warm hug of an ending, The Comeback is just the kind of inclusive comedic treat we need right now.

Running time: 85 minutes (without interval)
Photos: Marc Brenner
The Comeback is booking at the Noël Coward Theatre until 3rd January, Covid restrictions permitting

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Ian Foster
Since 2003, Ian Foster has been writing reviews of plays, sometimes with a critical element, on his blog Ought to Be Clowns, which has been listed as one of the UK's Top Ten Theatre Blogs by Lastminute.com, Vuelio and Superbreak. He averages more than 350+ shows a year. He says: "Call me a reviewer, a critic or a blogger, and you will apparently put someone or other's nose out of joint! So take it or leave it, essentially this is my theatrical diary, recording everything I go to see at the theatre in London and beyond, and venturing a little into the worlds of music and film/TV where theatrical connections can be made."
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Ian Foster on FacebookIan Foster on RssIan Foster on Twitter
Ian Foster
Since 2003, Ian Foster has been writing reviews of plays, sometimes with a critical element, on his blog Ought to Be Clowns, which has been listed as one of the UK's Top Ten Theatre Blogs by Lastminute.com, Vuelio and Superbreak. He averages more than 350+ shows a year. He says: "Call me a reviewer, a critic or a blogger, and you will apparently put someone or other's nose out of joint! So take it or leave it, essentially this is my theatrical diary, recording everything I go to see at the theatre in London and beyond, and venturing a little into the worlds of music and film/TV where theatrical connections can be made."

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