Coming up, as if you didn’t know, #EdFringe 2017. Who’s excited?

In Edinburgh Festival, Features, Festivals, Native, Regional theatre, Scotland by Daniel PerksLeave a Comment

In August it all kicks off, the 70th anniversary of Edinburgh Festival Fringe. For three weeks from 4 to 28 August 2017, Scotland’s capital welcomes an explosion of creative energy from around the globe.

The Fringe began in 1947 when eight theatre companies turned up uninvited to perform at the inaugural Edinburgh International Festival. The companies were refused entry to the programme but decided to perform on the fringe of the Festival anyway. The Fringe has remained true to the defiance expressed by the eight companies who performed here in 1947, upholding its open access principle that permits anyone with a story to tell and a venue willing to host them to participate.

People travel from all over the word to take part in the Fringe, creating an international melting pot of culture and art in Scotland’s capital city every year. This year’s programme is as varied as ever, offering theatre, dance, circus, physical theatre, comedy, music, musicals, opera, cabaret and variety, children’s shows, free shows, exhibitions, events and spoken word.

A few exciting facts and figures about this year’s festival:

  • Total shows: 3,398
  • Total venues: 300
  • Total number of Performances: 53,232
  • Countries represented: 62
  • Number of Free Shows: 686
  • Number of Premieres: 1,683

Here at Culture By Night, we are incredibly excited by the biggest fringe ever. So, up until the 4 August, when the Fringe really kicks off, we will be profiling some of the shows playing this year and getting to know the people, theatre companies and performers that are shaping one of the strongest fringe offerings ever seen.

How are they feeling about the festival? How will they survive it? What are their future hope and dreams for the work? What else have they seen recently that has made them sit up and pay attention?

Daniel Perks on Twitter
Daniel Perks
"Corporate by day, culture by night" is the strapline for Daniel Perks’ website, where he’s been blogging for several years independently, covering "opera, ballet, contemporary dance, interactive theatre, musical, Shakespeare and everything in between’. Daniel contributes on a freelance basis to several publications including The Reviews Hub, Exeunt, A Younger Theatre and Theatre & Performance, and he is an assessor for the Off-West End.com Awards (‘The Offies’). Daniel tweets @dperks13.
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Daniel Perks on Twitter
Daniel Perks
"Corporate by day, culture by night" is the strapline for Daniel Perks’ website, where he’s been blogging for several years independently, covering "opera, ballet, contemporary dance, interactive theatre, musical, Shakespeare and everything in between’. Daniel contributes on a freelance basis to several publications including The Reviews Hub, Exeunt, A Younger Theatre and Theatre & Performance, and he is an assessor for the Off-West End.com Awards (‘The Offies’). Daniel tweets @dperks13.

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