Dark Tourism and the art of the theatrical put-down: 17 top insults

In Features, London theatre, Opinion, Plays by Terri PaddockLeave a Comment

Richard, one of the central characters in Daniel Dingsdale‘s debut play Dark Tourism (like me) has a thing for quotations. The irony is that he’s a peddler of lowest common denominator culture, a “celebrity” PR with a hotline to the tabloids, who once dreamed of high-brow literary success. At one point, Richard (played by Damien Lyne) cites Oscar Wilde. Not “We are all in the gutter, but some of us are looking at the stars” (from Lady Windermere’s Fan), but perfectly apt for his trade, “The only thing worse than being talked about is not being talked about at all.”

Dingsdale owes more than that quote to Wilde, too. And to more recent dramaturgical forebears like David Mamet, Richard Bean and, indeed, my friend Mark Jagasia (whose own tabloid-set comedy Clarion returns to the Arcola Theatre, after a sell-out run earlier this year). He excels in epigrams; or more precisely, zinging insults and put-downs.

And there’s ample opportunity to pack them in in this fast-paced satire on 24-hour ‘news’ and throwaway celebrity ‘culture’, which is populated by instantly recognisable cartoon-size characters. A foul-mouthed stand-up cum radio DJ whose on-air freewheeling gets him into trouble (a la Russell Brand, a hugely charismatic Huw Parmenter), a disgraced kids’ TV presenter (Becky Watson), a film starlet embroiled in a sex-tape scandal (Jill Winternitz), a reality TV reject turned yo-yo dieter (delightfully goofy Tamaryn Payne), a flame-haired, ball-busting tabloid hack (Rebecca Brewer), a PR lackey raised on The Thick Of It (played by Dingsdale himself as if on theatrical speed).

The play takes its title from a comment on the cruelty of modern public shaming-style comedy culture – that it is “a cheap holiday on someone else’s misery” – and it asks us, in an always entertaining way, to question our own media consumption. We have a choice what we give our time to online, after all. And with that in mind, I thought it only appropriate to share some of my favourite zingers from Dark Tourism, below and on Twitter via @TerriPaddock!

 

17 top insults from Dark Tourism

“You lingered around like a fart in a mitten.”

“You’re a disaster. Your own career contraceptive.”

“That was when your only problem was a room temperature IQ and a singing voice that’s the aural equivalent of an acid enema.”

“Cazzie! I knew you were here. There was this big drop in temperature and all the taps started gushing blood.”

“You are funny, Max. I’m going to be a bit sad when you’re found dead, alone in your flat, surrounded by piles of old newspapers and bottles of your own piss.”

“He’s not a source, he’s a blogger. Might as well as your lamp what the news is… Greasy little agoraphobic in a onesie – what does he know? Now how to use a bar of fucking soap.”

“Have you tried being a woman recently, you hacktacular twat?”

“You’re just a modern Casanova. The great drugged-up lothario, dispensing ‘witty’ comments and sexy spankings in equal measure.”

“I don’t think I’ll be taking critical notes on my personality from a chap with all the charm of an anal cyst.”

“Fuck you, you afterbirth.”

“Look at you, fucking prancing around like a drunken Edwardian conjuror, Hackney’s hipster clown; you’re from Sheffield, Milton.”

“Any similarity between you and a human being is purely coincidental.”

“Scratch the surface of any egomaniac and you find a coward.”

“That is a face in need of a fist.”

“In the land of the fucking pigs, would you rather be the guy with the knife than the fucker in the sty?”

“Being near you is like having cancer of the soul.”

“We’re not special little flowers, we’re plastic knock-offs.”

 

Dark Tourism, directed by Adam Lenson and presented by Essee Productions, continues at the Park Theatre until 24 October 2015.

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Terri Paddock
Terri Paddock runs the Terri Paddock Group, which provides content and social media marketing services for theatre clients across channels including MyTheatreMates.com, StageFaves.com, Stage Talk and TerriPaddock.com. Previously,
Terri Paddock founded WhatsOnStage.com and the WhatsOnStage Awards, running the company and its events from 1996 to 2013. Terri is also the author of two novels, Come Clean and Beware the Dwarfs, and has previously written for the Evening Standard, Independent, The Times and other national publications. She is renowned for her 'legendary' post-show Q&As and also produces the annual Critics' Circle Theatre Awards and acts as a digital, content strategy and event consultant for theatre, producers and other clients. She tweets about theatre at @TerriPaddock.
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Terri Paddock on FacebookTerri Paddock on InstagramTerri Paddock on LinkedinTerri Paddock on TwitterTerri Paddock on Youtube
Terri Paddock
Terri Paddock runs the Terri Paddock Group, which provides content and social media marketing services for theatre clients across channels including MyTheatreMates.com, StageFaves.com, Stage Talk and TerriPaddock.com. Previously,
Terri Paddock founded WhatsOnStage.com and the WhatsOnStage Awards, running the company and its events from 1996 to 2013. Terri is also the author of two novels, Come Clean and Beware the Dwarfs, and has previously written for the Evening Standard, Independent, The Times and other national publications. She is renowned for her 'legendary' post-show Q&As and also produces the annual Critics' Circle Theatre Awards and acts as a digital, content strategy and event consultant for theatre, producers and other clients. She tweets about theatre at @TerriPaddock.

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