DISCO PIGS – Trafalgar Studios

In London theatre, Opinion, Plays, Reviews, Ticket recommendations by Laura KresslyLeave a Comment

Trafalgar Studios, London – until 19 August 2017
Guest reviewer: Simona Negretto

In 1997 Enda Walsh’s Disco Pigs hit the world with the story of an intoxicating and obsessive friendship between two teenagers, Runt and Pig, and their crazy, oneiric, visionary night out. Today, to celebrate its 20th anniversary, Tara Finney reprises the play in a vivid production permeated by the bittersweet taste of nostalgia.

An unreal Cork is the scenario for the darkly picaresque adventures of the two protagonists: born on the same day, Runt and Pig have grown up developing a close secret world of their own with its own language and, in their opinion, its own explosive rules. Two outsiders, two rebels without a cause in the club culture era.

John Haidar’s work is philologically flawless. Runt and Pig are two lost souls looking for comfort, fondness and, in the end, love – like almost everyone else – but without knowing how to deal with emotions. His direction is the visual echo of that urgency: extremely physical, strong and crazily nervous, thanks also to  Naomi Said’s movement direction.

But the two performances are the true highlights of this celebratory production: Evanna Lynch as Runt and Colin Campbell as Pig are a dazzling mix of chemistry, energy and, even, tenderness.

Lynch’s portrait of Runt is a fascinating and intense journey into awareness: her life could be different, their small co-dependent world might be a cage, when the line between childhood/adolescence and adulthood is crossed the worlds may clash. Her line, “Jarr my life, Pig” at the beginning of the play, said with dreamy eyes, is not so true at the end.

Campbell’s Pig is astonishingly energetic. He dictates the syncopated rhythm of the show with a performance able to “dance” through tenderness, anger and madness at the same time, proving to be unmissable. His disco dance “round-up” is one of the most brilliant moments of show thanks to Elliot Griggs’ terrific work as lighting designer.

This production is a dynamic and immaculate celebration of the 1997 Disco Pigs, It succeeds in telling that story without really adding anything for a new, more contemporary reading. But it definitely deserves to be seen thanks to the two superb performances and the strikingly engaging soundtrack.

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Laura Kressly
Laura is a US immigrant who has lived in the UK since 2004. Originally trained as an actor with a specialism in Shakespeare, she enjoyed many pre-recession years working as a performer, director and fringe theatre producer. When the going got too tough, she took a break to work in education as a support worker, then a secondary school drama teacher. To keep up with the theatrical world, she started reviewing for Everything Theatre and Remotegoat in 2013. In 2015, Laura started teaching part time in order to get back into theatre. She is now a freelance fringe theatre producer and runs her independent blog, theplaysthethinguk.com.
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Laura Kressly on RssLaura Kressly on Twitter
Laura Kressly
Laura is a US immigrant who has lived in the UK since 2004. Originally trained as an actor with a specialism in Shakespeare, she enjoyed many pre-recession years working as a performer, director and fringe theatre producer. When the going got too tough, she took a break to work in education as a support worker, then a secondary school drama teacher. To keep up with the theatrical world, she started reviewing for Everything Theatre and Remotegoat in 2013. In 2015, Laura started teaching part time in order to get back into theatre. She is now a freelance fringe theatre producer and runs her independent blog, theplaysthethinguk.com.

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