Mate Terri Paddock chairs a post-show Q&A at The Tragedy of Dorian Gray at London's Drayton Arms Theatre

VIDEO: Why does Oscar Wilde’s supernatural tale of Dorian Gray continue to fascinate?

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The premise of The Picture of Dorian Gray – a man who stays forever young as a portrait of him locked in his attic ages – has become so much a part of our culture that most people will recognise the reference even if they’ve never read Oscar Wilde’s original 1890 novella or seen any of the myriad stage and screen adaptations since.

Despite the story’s renown, Blue Devil Theatre’s Ross Dinwiddy, who has established a reputation for his literary adaptations with award-winning plays Apparatus and The Geminus, based on lesser-known short stories by Franz Kafka and Joseph Conrad respectively, has now had a go as well – though, at this week’s post-show Q&A at London’s Drayton Arms Theatre, he did admit to feeling initially intimidated by tackling such a famous text.

Why the enduring fascination with this story? asked an audience member. Because it has such a good spine, said Dinwiddy. Such a good spine that, in Blue Devil’s version, the story seems to fit naturally to a jumping-off point in 1965 and fast-forwarding to the brink of the 21st-century, a whisper away from our current social media age.

The production has now transferred for a limited season at London’s Drayton Arms Theatre after Offies award-winning success at Brighton and Hastings Fringes and an online offering filmed during lockdown.

Maximus Polling reprises his performance as the ever-youthful and ever-more-callous Dorian, with Christopher Sherwood as Basil, the artist who captures his image with a seemingly supernatural power; Chloe Orrock as Dorian’s doomed actress-wife Sybil Vane (and later Sybil’s daughter Hetty); Jordan Louis as corrupter-in-chief Harry Wotton; Conor Litten as smitten accomplice Alan Campbell; and Heather Alexander as gossip columnist Maxis Ruxton, a character invented by Dinwiddy.

In a lively Q&A with the company and a very knowledgeable audience, we discussed the journey of the play, varying interpretations of the story and its characters, the impact of accents, and who amongst the company would themselves choose to stay forever young.

The Tragedy of Dorian Gray runs from 19 October to 6 November 2021 at the Drayton Arms Theatre, 153 Old Brompton Road, London SW5 0LJ, with performances Tuesdays to Saturdays at 7.30pm, matinees Saturdays at 3pm. Tickets are priced £16 (£14 concessions). CLICK HERE TO PURCHASE!

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Terri Paddock
Terri Paddock runs the Terri Paddock Group, which provides content and social media marketing services for theatre clients across channels including MyTheatreMates.com, StageFaves.com, Stage Talk and TerriPaddock.com. Previously,
Terri Paddock founded WhatsOnStage.com and the WhatsOnStage Awards, running the company and its events from 1996 to 2013. Terri is also the author of two novels, Come Clean and Beware the Dwarfs, and has previously written for the Evening Standard, Independent, The Times and other national publications. She is renowned for her 'legendary' post-show Q&As and also produces the annual Critics' Circle Theatre Awards and acts as a digital, content strategy and event consultant for theatre, producers and other clients. She tweets about theatre at @TerriPaddock.
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Terri Paddock on FacebookTerri Paddock on InstagramTerri Paddock on LinkedinTerri Paddock on TwitterTerri Paddock on Youtube
Terri Paddock
Terri Paddock runs the Terri Paddock Group, which provides content and social media marketing services for theatre clients across channels including MyTheatreMates.com, StageFaves.com, Stage Talk and TerriPaddock.com. Previously,
Terri Paddock founded WhatsOnStage.com and the WhatsOnStage Awards, running the company and its events from 1996 to 2013. Terri is also the author of two novels, Come Clean and Beware the Dwarfs, and has previously written for the Evening Standard, Independent, The Times and other national publications. She is renowned for her 'legendary' post-show Q&As and also produces the annual Critics' Circle Theatre Awards and acts as a digital, content strategy and event consultant for theatre, producers and other clients. She tweets about theatre at @TerriPaddock.

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