‘Brilliantly accessible experience’: THE EMPEROR’S NEW CLOTHES – Polka Theatre

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Polka Theatre, London – until 22 May 2022

The country is in chaos. With the cost of living at an all time high, many can’t even afford food, but the leader is too obsessed with his own image to care about what people actually need. Surrounded by sycophants, he splashes cash on vanity projects, dismisses dissent as fake news and lets employees take the fall when things go wrong. And then he gets his kit off. Thankfully, this is not a current affairs story but a review of The Emperor’s New Clothes, which is playing at Polka Theatre. Mummy and Quaver headed over to Wimbledon to catch this fantastic adaptation of the Hans Christian Andersen classic, which has been co-produced by Hiccup Theatre, Polka Theatre and Derby Theatre.

Aimed at ages three to eight, The Emperor’s New Clothes is a fun show with a moral message that remains as relevant today as it ever was. It’s a treat for all the senses, filled with brightly coloured costumes and an array of musical instruments, plus a puppet that nicely gets around the question of how you deal with the main character taking all his clothes off in a show for small children! But the absolute highlight of this production is the fantastic integration of BSL and captioning. It makes for a brilliantly accessible experience and is a shining example of how theatre can be created in an inclusive way from the outset, rather than accessibility being treated as an optional add-on.

There is a running theme in the show about miscommunications which arises from hearing characters not being able to understand those whose first language is BSL. In particular, Bobbin, the only person who sees through the lies being told to the Emperor about his magical new garments, is ignored not only because they are a child but because they are deaf. It’s a really nice update to the classic story and a neat way of getting BSL into the plot itself.

When asked what her favourite thing about the show was, Quaver immediately said the sign language. She also enjoyed reading the captions that were embedded within the set design. While this might prove tricky for younger children, it won’t affect their experience as the show is designed to work for everyone, with most content repeated via a mixture of BSL, captions and spoken word. There is a small amount of content which is only in BSL and captions (which some adults in the audience chose to whisper to their children) but this cleverly serves to reinforce one of the production’s central messages about the importance of learning to sign.

Credit: Pamela Raith Photography

Since reopening their newly refurbished building last year, Polka Theatre have demonstrated an outstanding commitment towards improving accessibility and inclusivity in children’s theatre. The Emperor’s New Clothes is another industry leading piece of work which shows just how things should be done. And – unlike the Emperor’s birthday suit – it’s well worth seeing!

The Emperor’s New Clothes plays at Polka Theatre from 28 April to 22 May 2022. We received complimentary press tickets to the 11am performance on Sunday 1 May.

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The Family Stage
The Family Stage is a blog following the lives of two musical mad mums who are attempting to sustain their theatregoing habit after adopting two little girls. Born out of Mummy’s indecision over whether to become a theatre blogger or mummy blogger, it attempts to straddle the boundary between the two worlds. But with family life revolving around extracurricular activities of the performing arts variety, and weekends filled with family theatre, Mummy finds that her musings remain distinctly stagey. When the munchkins are in bed, Mummy and Mrs Mummy take it in turns to go to grown-up shows, ensuring that they have something to talk about besides children.
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The Family Stage on FacebookThe Family Stage on RssThe Family Stage on Twitter
The Family Stage
The Family Stage is a blog following the lives of two musical mad mums who are attempting to sustain their theatregoing habit after adopting two little girls. Born out of Mummy’s indecision over whether to become a theatre blogger or mummy blogger, it attempts to straddle the boundary between the two worlds. But with family life revolving around extracurricular activities of the performing arts variety, and weekends filled with family theatre, Mummy finds that her musings remain distinctly stagey. When the munchkins are in bed, Mummy and Mrs Mummy take it in turns to go to grown-up shows, ensuring that they have something to talk about besides children.

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