END OF THE RAINBOW – Touring

In Musicals, Opinion, Plays, Regional theatre, Reviews by Jonathan BazLeave a Comment

★★★★★
Churchill Theatre, Bromley – until 12 March
Then touring
Guest reviewer: Bhakti Gajjar

It’s a well-known story, but a heartbreaker each time it is told. It’s the one about the dark side of talent and celebrity and the permanent and omniscient destruction that it causes. Amy Winehouse, Kurt Cobain and even Britney Spears all come to mind immediately, but there were many more that came before and with a tragic inevitability, more are likely to follow.

End of the Rainbow tells Judy Garland’s story and the tale of the child star turned superstar plays out around an astonishing performance from Lisa Maxwell.

Set in London, as Judy prepares for a six week concert run in the capital, the play provides a snapshot into the complex and irrevocably damaged individual that she had become. Maxwell flits between Garland’s incredible self-awareness and power alongside the hysteria as her dependence on drink and drugs became too much.

Garland battles with both her manager and new fiancé Mickey Deans (Sam Attwater) and her accompanist Anthony Chapman (Gary Wilmot). Chapman, who has known and loved her far longer than Mickey is to bear witness to her decline.

Although billed as a play, a selection of Garland’s greatest numbers are interjected into the telling of the story and Maxwell delivers these with a spine-tingling excellence. Wilmot is also on top form as Anthony, providing a critique of Mickey and his motives and to a degree, acting as the voice of reason. Attwater lacks a certain level of bite and struggles to maintain a consistent accent, but broadly plays well alongside the other two characters.

David Shields’ set design is a neat conceit, moving the audience from the hotel suite in which the three are staying, to the concert venue and back again. The staging is well complemented by David W Kidd’s lighting arrangements and some magnificent costuming.

End Of The Rainbow leaves the audience feeling heart-broken, yet also roused by the simply sensational Lisa Maxwell. Ending the show with a song does well to ensure that Judy Garland is remembered for her talent and fire and for achieving the immortality through fame that she craved.

Runs until 12th March then tours.

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Jonathan Baz
Theatre critic Jonathan Baz is London-based but with a coverage that extends far beyond the capital to include regional theatre as well as occasional forays into Europe and the USA. He enjoys reviewing new writing as much as seeing fresh interpretations of well-known plays and musicals. Jonathan also sits on the judging panel of London's Off West End Awards ("the Offies") and has published numerous interviews and features with leading figures in the film and theatre world. Away from the arts, Jonathan is a practising Chartered Accountant with a number of clients in the entertainment industries. He blogs at www.jonathanbaz.com and tweets at @MrJonathanBaz.
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Jonathan Baz on RssJonathan Baz on Twitter
Jonathan Baz
Theatre critic Jonathan Baz is London-based but with a coverage that extends far beyond the capital to include regional theatre as well as occasional forays into Europe and the USA. He enjoys reviewing new writing as much as seeing fresh interpretations of well-known plays and musicals. Jonathan also sits on the judging panel of London's Off West End Awards ("the Offies") and has published numerous interviews and features with leading figures in the film and theatre world. Away from the arts, Jonathan is a practising Chartered Accountant with a number of clients in the entertainment industries. He blogs at www.jonathanbaz.com and tweets at @MrJonathanBaz.

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