Ira Mandela Siobhan & Ethan Kai in Equus at the West End's Trafalgar Studios. © The Other Richard

‘Shelley Maxwell delivers genius in her suggestions of the horses’ movement’: EQUUS – West End ★★★

In London theatre, Opinion, Plays, Reviews, Ticket recommendations by Jonathan BazLeave a Comment

Trafalgar Studios, London – until 7 September 2019

Equus remains a fascinating, if dated, piece of writing from Peter Schaffer. Exploring the psycho-sexual complexities of the adolescent Alan Strang, a boy who has just, horrifically, blinded six horses, Shaffer contexts the young man’s mental turmoil against the emotional and sexual failings of his psychiatrist Richard Dysart.

Done well, the play should offer a well-crafted glimpse into teenage angst, parental frailties together with the numbing realities of mid-life disappointment. In Ned Bennett‘s production, however, that arrives at the Trafalgar Studios from the Theatre Royal Stratford East, a strange fusion of magnificence and mediocrity permeates the evening.

Ethan Kai plays the troubled Strang and while he may appear perhaps a little too old to portray his teenage character, his performance nonetheless convinces. Kai captures Strang’s awkward dysfunctionality – a boy who’s more at ease with horses than with people – delivering a performance of intensity and energy.

Opposite Kai is Zubin Varla’s Dysart in a turn that fails to deliver the gravitas that the role demands. Varla is unable to carry us along with his revelations of the demons that surround his infertility and failing marriage. On stage virtually throughout, in what is unquestionably a demanding role Varla’s work is of a standard that is little more than “average” and for Shaffer’s prose that’s just not good enough.

The supporting roles are likewise workmanlike in their execution. With the exception of Norah Lopez-Holden’s Jill, Strang’s peer who befriends him, all the other characters prove too tedious as they flesh out Strang’s back story, making the 2hr 40min piece seem even longer.

To their credit, however, and with the exception of Varla and Kai, all the cast double up in their portrayal of the horses that Strang is to ultimately mutilate and under Shelley Maxwell’s movement direction, their equine interpretations are sensational. The immaculately sculpted Ira Mandela Siobhan plays Nugget, the “lead” horse in the stables in a masterclass of physical theatre. Maxwell delivers genius in her suggestions of the horses’ movement, that her company deliver immaculately.

Runs until 7th SeptemberPhoto credit: The Other Richard

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Jonathan Baz
Theatre critic Jonathan Baz is London-based but with a coverage that extends far beyond the capital to include regional theatre as well as occasional forays into Europe and the USA. He enjoys reviewing new writing as much as seeing fresh interpretations of well-known plays and musicals. Jonathan also sits on the judging panel of London's Off West End Awards ("the Offies") and has published numerous interviews and features with leading figures in the film and theatre world. Away from the arts, Jonathan is a practising Chartered Accountant with a number of clients in the entertainment industries. He blogs at www.jonathanbaz.com and tweets at @MrJonathanBaz.
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Jonathan Baz on RssJonathan Baz on Twitter
Jonathan Baz
Theatre critic Jonathan Baz is London-based but with a coverage that extends far beyond the capital to include regional theatre as well as occasional forays into Europe and the USA. He enjoys reviewing new writing as much as seeing fresh interpretations of well-known plays and musicals. Jonathan also sits on the judging panel of London's Off West End Awards ("the Offies") and has published numerous interviews and features with leading figures in the film and theatre world. Away from the arts, Jonathan is a practising Chartered Accountant with a number of clients in the entertainment industries. He blogs at www.jonathanbaz.com and tweets at @MrJonathanBaz.

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