ESCAPED ALONE – Royal Court Theatre

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Royal Court, London – until 11 February 2017
Then touring

“I’m walking down the street and there’s a door in the fence open and inside there are three women I’ve seen before.”

There’s something delicious about seeing Caryl Churchill’s Escaped Alone return to the Royal Court before heading out to New York and then a UK tour. It’s also testament to James MacDonald’s production that the quartet of actors who originated their parts have all returned – Linda Bassett, Deborah Findlay, Kika Markham and June Watson, marvels every one.

I ranked the play as the fourth best thing that I saw last year and though I don’t always like to go back to things I enjoyed (in case it sullies the memory), I wanted to treat myself to this again. And I’m glad I did, for the layered complexity of Churchill’s writing allows for re-appreciation and indeed re-interpretation. My original review holds true but given the way the world has lurched closer to apocalypse (literally so, apparently), the play’s contrast between Doomsday and the domestic feels ever more poignant and pertinent.

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Ian Foster
Since 2003, Ian Foster has been writing reviews of plays, sometimes with a critical element, on his blog Ought to Be Clowns, which has been listed as one of the UK's Top Ten Theatre Blogs by Lastminute.com, Vuelio and Superbreak. He averages more than 350+ shows a year. He says: "Call me a reviewer, a critic or a blogger, and you will apparently put someone or other's nose out of joint! So take it or leave it, essentially this is my theatrical diary, recording everything I go to see at the theatre in London and beyond, and venturing a little into the worlds of music and film/TV where theatrical connections can be made."
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Ian Foster on FacebookIan Foster on RssIan Foster on Twitter
Ian Foster
Since 2003, Ian Foster has been writing reviews of plays, sometimes with a critical element, on his blog Ought to Be Clowns, which has been listed as one of the UK's Top Ten Theatre Blogs by Lastminute.com, Vuelio and Superbreak. He averages more than 350+ shows a year. He says: "Call me a reviewer, a critic or a blogger, and you will apparently put someone or other's nose out of joint! So take it or leave it, essentially this is my theatrical diary, recording everything I go to see at the theatre in London and beyond, and venturing a little into the worlds of music and film/TV where theatrical connections can be made."

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