FosterIAN Awards for Best Actress

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Best Actress in a Play

Hattie Morahan/Kate O’Flynn/Adelle Leonce, Anatomy of a Suicide
How to split these three? Why would you even want to. Their effortless grace, their ferociously detailed complexity, their heart-breaking connectivity, all three will live long in my mind.

Honourable mention: Victoria Hamilton, Albion
Not far behind in the fierceness stakes was this epic role of near-Chekhovian proportions, tailored by Mike Bartlett for one of his frequent collaborators. Quite why this hasn’t followed Ink into the West End I’m not sure.

Shirley Henderson, Girl From the North Country
Cherry Jones, The Glass Menagerie
Justine Mitchell, Beginning
Mimi Ndiweni, The Convert
Connie Walker, Trestle
Laura Donnelly, The Ferryman
Imelda Staunton, Who’s Afraid Of Virginia Woolf
Rosie Wyatt, In Event of Moone Disaster

Best Actress in a Musical

Janie Dee, Follies AND Josefina Gabrielle, A Little Night Music AND Josie Walker, Everybody’s Talking About Jamie
A second three-way tie? Hey, it’s my blog and my rules! From Dee thoroughly owning the Olivier through song and dance, to Gabrielle making me feel like I was hearing ‘Send in the Clowns’ for the first time, to the sheer beauty of Walker’s uncompromising love for her son, this was only way I could reward a banner year for leading female musical performances.

Honourable mention: Amie Giselle-Ward, Little Women
Sadly ineligible to win since her name doesn’t begin with J…, Giselle-Ward nevertheless blew me away at the heart of this gorgeous musical which, if there’s any justice, should continue the Hope Mill’s admirable record of London transfers.

Sharon D Clarke, Caroline or Change
Kelly Price, The Secret Diary of Adrian Mole Aged 13 ¾
T’Shan Williams, The Life
8-10
Carly Bawden, Romantics Anonymous; Sandra Marvin, Committee; Marisha Wallace, Dreamgirls;

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Ian Foster
Since 2003, Ian Foster has been writing reviews of plays, sometimes with a critical element, on his blog Ought to Be Clowns, which has been listed as one of the UK's Top Ten Theatre Blogs by Lastminute.com, Vuelio and Superbreak. He averages more than 350+ shows a year. He says: "Call me a reviewer, a critic or a blogger, and you will apparently put someone or other's nose out of joint! So take it or leave it, essentially this is my theatrical diary, recording everything I go to see at the theatre in London and beyond, and venturing a little into the worlds of music and film/TV where theatrical connections can be made."
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Ian Foster on FacebookIan Foster on RssIan Foster on Twitter
Ian Foster
Since 2003, Ian Foster has been writing reviews of plays, sometimes with a critical element, on his blog Ought to Be Clowns, which has been listed as one of the UK's Top Ten Theatre Blogs by Lastminute.com, Vuelio and Superbreak. He averages more than 350+ shows a year. He says: "Call me a reviewer, a critic or a blogger, and you will apparently put someone or other's nose out of joint! So take it or leave it, essentially this is my theatrical diary, recording everything I go to see at the theatre in London and beyond, and venturing a little into the worlds of music and film/TV where theatrical connections can be made."

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