Friends forever? What to say about Matthew Perry’s The End of Longing

In Features, Interviews, London theatre, News, Opinion, Plays, Quotes, Reviews by Terri PaddockLeave a Comment

Near the end of an interview Matthew Perry gave with The Times last weekend, the interviewer Sarfraz Manzoor commented “having made so many people so happy it feels only right to wish some happiness for him”.

That’s the same feeling I carried with me into the Playhouse when I saw The End of Longing a few days ago, and one that was shared by most of the rest of the audience. The genuine warmth – the cheers and wild applause at the end – directed at the play’s author and star was real and palpable.

We of the Friends generation recognise that Matthew’s experience of fame (including years of addiction to alcohol and painkillers) has left him battered and bruised. But not beaten, as this play – which he says, poured out of him in ten days – is testament to, despite the pouring of blood (his own) on the stage.

Perry has said in many interviews that the play is not autobiographical. In the strictest sense of the word, we assume no, but the character of Jack is a raging alcoholic and his struggle is clearly informed by Perry’s own. Whatever he says, we the audience know that.

So, when we came to the scene near the end of the play, in which his character stands up at Alcoholics Anonymous to make his “I’m an alcoholic”, the audience were primed to empathise. He pleads for help: “I’m nothing,” he says, “and I need to be something.” There were tears and cheers. A few minutes later (and this was a first for me), the ushers, unprompted, were directing every exiting theatregoer to the stage door (“in case you want to give Matthew a hug”, they may as well have added).

I do want Matthew Perry to find peace and happiness so it pains me to write this next bit: based on his performance here, he should stop acting. The years since he left Friends have taken a very serious physical toll – not just in the sense that he now looks middle-aged (don’t we all?) and a little overweight, but his speech has become slurred and stumbling, his reactions sluggish, his performance stilted and self-conscious.

Click to view slideshow.

(A friend who knows more about such things than I do says these can be the consequences of long-term substance abuse. I don’t know, but it’s disturbing to witness, particularly with such a much-loved figure.)

At the same time, however, he should keep writing for theatre. The End of Longing is clearly modeled on the last West End play he appeared in (Sexual Perversity in Chicago in 2003, also directed by Lindsay Posner) – a four-hander about two sets of friends who meet in a bar, couple, de-couple and generally struggle with intimacy. It’s Mamet meets Friends. So darker than the latter, happier (ultimately) than the former.

This particular script needs more shaping and sharpening (Sarah Stern is credited as dramaturg in the programme, though the extent of her involvement in unclear), but Perry has got talent, and especially an ear for dialogue, that should be nurtured. He writes with humour and heart and hope. I hope he continues.

 

P.S. Also in The End of Longing, Lloyd Owen is funny and astonishingly fit as Jack’s dullard friend Joseph (I will not be surprised if his bare chest causes Russell Tovey-style fainting here), and Christina Cole is spot-on as his neurotic one-night-stand turned mother-of-his-child Stevie. Meanwhile, Jennifer Mudge is the unapologetic prostitute that inspires Jack to rethink his priorities.

The End of Longing continues at the West End’s Playhouse Theatre until 14 May 2016.

 

Matthew in the media

There’s been a ton of coverage around The End of Longing and other Matthew Perry-related news (no, he didn’t attend the Friends’ reunion this month; yes, he is selling his London flat for £7 million) over the past few weeks. Here are clips links to a few of the better interviews, including Sarfraz Manzoor’s in The Times.

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The transformation of Matthew Perry

Sarfraz Manzoor: At the height of his Friends fame he was addicted to painkillers and alcohol. Now Matthew Perry is in bed by 10pm (for all the right reasons) In the summer of 1994, Matthew Perry was taken…

thetimes.co.uk

My play is a long way from Chandler

Matthew Perry today said he is finally escaping the shadow of his Friends character Chandler Bing as he brings his first self-penned play to the West End. More than a decade…

standard.co.uk

The one where Chandler writes a play

Matthew Perry will make his playwriting debut when The End of Longing opens in London’s West End on Tuesday night. Described as “a hilarious and dark comedy about four people searching…

theguardian.com

Our starstruck Friend

Friends star Matthew Perry is starring in London’s West End in the play The End of Longing, which marks the premiere of the actor’s playwriting debut. Perry was a favourite “friend”,…

bbc.co.uk

Audiences ‘laughing and crying’ at Perry play

Matthew Perry has told ITV News the audiences at his debut play in the West End have laughed and cried saying they are doing “all the things we want them to be doing”. He also warned…

itv.com

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Terri Paddock
Terri Paddock runs the Terri Paddock Group, which provides content and social media marketing services for theatre clients across channels including MyTheatreMates.com, StageFaves.com, Stage Talk and TerriPaddock.com. Previously,
Terri Paddock founded WhatsOnStage.com and the WhatsOnStage Awards, running the company and its events from 1996 to 2013. Terri is also the author of two novels, Come Clean and Beware the Dwarfs, and has previously written for the Evening Standard, Independent, The Times and other national publications. She is renowned for her 'legendary' post-show Q&As and also produces the annual Critics' Circle Theatre Awards and acts as a digital, content strategy and event consultant for theatre, producers and other clients. She tweets about theatre at @TerriPaddock.
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Terri Paddock on FacebookTerri Paddock on InstagramTerri Paddock on LinkedinTerri Paddock on TwitterTerri Paddock on Youtube
Terri Paddock
Terri Paddock runs the Terri Paddock Group, which provides content and social media marketing services for theatre clients across channels including MyTheatreMates.com, StageFaves.com, Stage Talk and TerriPaddock.com. Previously,
Terri Paddock founded WhatsOnStage.com and the WhatsOnStage Awards, running the company and its events from 1996 to 2013. Terri is also the author of two novels, Come Clean and Beware the Dwarfs, and has previously written for the Evening Standard, Independent, The Times and other national publications. She is renowned for her 'legendary' post-show Q&As and also produces the annual Critics' Circle Theatre Awards and acts as a digital, content strategy and event consultant for theatre, producers and other clients. She tweets about theatre at @TerriPaddock.

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