After its rave reviews and New Writing award at Edinburgh Fringe, Glenn Chandler’s new play The Good Scout has won another round of plaudits and an OffWestEnd.com nomination on its London transfer to Above the Stag Theatre, where it continues until 2 November. We’ve rounded up the review highlights. Time to get booking!
Inspired by extraordinary true events: The Good Scout is a story of espionage, Scout’s honour and forbidden love. In the 1930s, Baden-Powell and Von Ribbentrop, Hitler’s ambassador, decreed that British Boy Scouts and Hitler Youth should learn from one another.

Terri Paddock chairs a post-show Q&A at The Good Scout on 29 October 2019
In Bassington, England, the local troop play host to a cycling party of Hitlerjugend – but are the German boys cyclists or “spyclists”? For Will and Jacob, two Rover Scouts on the cusp of manhood, it is a visit that will change their lives forever.
Written and directed by Glenn Chandler, The Good Scout had its sell-out previews at Above the Stag before premiering at The Space at this year’s Edinburgh Fringe, where it won the ScotsGay Magazine award for Best New Writing.
In London, Charlie Mackay, Clemente Lohr, Simon Stache, Amanda Bailey and Lewis Allcock reprise their roles from Edinburgh alongside newcomer Daniel Cornish, who has been nominated for an OffWestEnd.com Award for his performance as Rover Scout Will Parrish.
The Good Scout runs until 2 November 2019, 72 Albert Embankment, Lambeth, London SE1 7TP, with performances Tuesdays to Saturdays at 7pm and Sundays at 5.30pm. Tickets are priced £20. Click here to purchase!
Show photos
New London production photography by PBG Studios.
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Review highlights
Chris Omaweng: “Those who think that life was a simpler affair for previous generations may well think again after seeing this engaging and enriching production.”
Stephen Vowles: “This is a very well researched history lesson and expertly performed by an incredible cast especially Charlie Mackay as Jacob… A story told with great affection of lost innocence.”
Howard Loxton: “The Good Scout may be fiction but it is based on fact and Glenn Chandler places it in history with a series of satirical sketches in which all the cast double… It is well worth seeing.”
Darren Ross: “The Good Scout achieves the impossible – finding an original, untold story from World War Two… The play is intelligent, enlightening and is to be praised for dealing honestly with history.”
David Pollock: “This play by writer/director Glenn Chandler, also the creator of the hit Scottish television police drama Taggart, chooses not to dress itself up in simplistic notions of good and evil… In the guise of a Boy’s Own adventure, the piece is expertly layered, discussing friendship, espionage, fanaticism, homosexual persecution, and gay love in an era when it really was forbidden.”
Greg Stewart: “Much more than a history lesson, The Good Scout exemplifies what the Edinburgh Fringe is all about, an unusual but captivating storyline which both amuses and entertains, and which showcases some extraordinary acting talent.”
Derek Benfield: “This gently disturbing play illuminates details of historic events in a thought-provoking gratifying way… Glenn Chandler has set up another intriguing story based on these events. The cast relish the chance to play their main roles and to portray historical figures.”
British Theatre Guide – ★★★★
Robin Strapp: “The whole cast are strong, totally convincing, giving impressive performances in what is a fascinating slice of history. This is a highly enjoyable production that should be on your ‘to see’ list.”
Taylor Crockett: “The Good Scout illuminates a very largely forgotten corner of our national history, and reveals itself to be relevant in a number of ways… You will also be richly entertained and drawn into the plot.”
Tony Frame: “Glenn Chandler brings a hidden gem of a story to the Fringe… There are some beautifully poignant moments throughout which avoid being overly-sentimental, and the whimsical script offers a fascinating insight into an untold part of history.”
Jamie Dunn: “The four leads are excellent, but special mention should go to Simon Stache, who’s heartbreaking one minute as Friedrich, a reluctant Nazi terrified of going back home, and outrageously flamboyant the next as French premier Édouard Daladier.”
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